comprising a pair of Canton vases, a single Canton vase, and a famille verte Nanking porcelain vase (some damages)

[4]

the pair painted with a figure seated in a garden, the single one with stylised flowers, inscribed and with seal marks

[3]

both seated with big exposed bellies, one with children clambering on his sides (one with glaze frit)

[2]

painted with figures in a temple in a continuous scene with figures on horseback outside

[1]

painted with four horses and buddhist emblems on a prunus and whorl-pattern ground, the base with green artemisia leaf mark (some firing flaws)

[1]

painted with two Immortals and a crane in a landscape, the base with a Yongzheng six-character mark (minor glaze flaws to the rim)

[1]

the glaze of a soft strawberry-red tone varying in intensity, the mouth rim and base left white (small rim repair, hairline on footrim)

[1]

the bulbous body covered with a streaked purple and lavender glaze on a ground of crackled mushroom glaze

[1]

the rounded sides covered to the interior and exterior with a thick lavender glaze thinning to mushroom at the rim and embellished with purple splashes, the base left unglazed (some glaze crackles)

[1]

with thick feathered black and russet glaze, the base with incised masrk

[1]

painted with stylised flower panels in red and green (restored)

[1]

painted to the four sides with a panel of Li Bai resting against a barrel, a panel of Lu Dongbin with sword and fly-whisk, interspersed with flowers on the remaining sides, the base with an apocryphal six-character Jiajing mark (frittings to the sides and rubbing to the enamels)

[1]

one washer covered in crackled cream glaze, and two various celadon jars, each with loop handles (the smaller with large firing crack to body)

[3]

the water-pot with lug handles and short spout, covered in a pale greyish-white glaze, together with a dark blue-glazed jarlet with horn cover and a crackled Swatow jarlet (spout water-pot restored, Swatow jarlet with rim chips)

[3]

painted in iron-red and green with panels and flowers, together with another later earthenware box and cover and a set of five small dishes (some damage and wear as may be expected)

[7]

standing on a short foot, the interior incised with flowing flowers, with gold-lacquer kintsugi rim repairs (and some hairlines)

[1]

moulded with ribbed sides, glaze worn away and with sea-encrustation

[1]

shown in seated positions, one holding cymbals (some damage and wear)

[2]

standing wearing long robes with her hand clasped before her chest, with detailed facial features and blushing cheeks (condition upon request)

[1]

standing foursquare (some repair to tail and legs)

[1]

moulded with two lug handles and paintd in red and black pigments with geometrical patterns (wear and possible restoration as expected)

[1]

moulded with two handles and incised with geometrical bands (some damage and wear as expected)

[1]

sturdily potted with dented rim

[1]

with double lug handles, painted with black crossed lines (some damage and wear as expected)

[1]

in simple, mammiform shape (damage and wear as expected)

[1]

each painted with peony sprays (some minute rim frits)

[6]

comprising a sauce-boat painted with flowers, a bowl with peonies and another bowl with flowers (the sauce-boat with various chips to rim and spout, the large bowl with rim crack and related rim repair, the smaller bowl with hairline)

[3]

decorated with scattered flowers within spearhead borders

[3]

painted with a female Immortal and phoenix (neck broken and reglued with related infilled chip)

[1]

delicately painted with two ladies seated at a table in a refined interior with various antiquities, a lady-in-waiting approaching with tea from the garden (large chip of ca. 9 x 4 cm broken and restored with crams, minor rim frits

[1]

painted with polychrome dragons between cloud and fire scrolls (rim and footrim polished, some suface scratches and minor losses to enamels)

[1]

decorated with panels of calligraphy in iron-red, the interior glazed in turquoise, the base with a Tongzhi seal-mark (rim crack and related small chip, some surface wear)

[1]

comprising a teapot and cover, a sugar-bowl and cover, a milk-jug and a tray, each densely painted with butterflies, flowers and figural panels (handles of sugar-bowl broken and reglued, chip to spout of teapot)

[4]

moulded with overlapping lotus leaves, supporting lotus flowers and a bug, painted in soft blue, green, yellow and aubergine tones (flake to base)

[1]

one with brocade ball and the other with cub, each on openworked stepped base and painted with yellow, green and aubergine glazes

[2]

the sides painted in the Kangxi style with a warrior scene from the Romance of the Three Kingdoms (restored)

[1]

(chip to backside of coat)

[1]

the pale glaze suffused with a network of grey and russet crackles

[1]

each moulded with archaistic geometrical scrolls and covered in a subtle pale green glaze, the base with apocryphal Qianlong seal mark, on wood stands (one with faint hairline/ glaze crack of ca. 3 cm)

[2]

the rounded sides covered with a purple glaze over lavender showing towards the rim

[1]

decorated with panels of Antiquities, with upright overhead handle, the cover painted with lotus (finial missing, handle reglued)

[1]

painted with a chilong among lotus flowers, the base with an apocryphal Kangxi mark

[1]

painted with flowers and lappet border of flowers (large star crack)

[1]

each vase painted with flowers, comprising a pair of baluster vases and covers and a set of three gu-shaped vases (one gu broken, one gu with reglued neck and rim chip, one baluster with damaged foot, one cover with reglued finial and the other with chip)

[5]

moulded with swirling lower body, decorated with scattered fruits and flowers (faint hairline rim crack)

[1]

painted with a jardinière including lotus and various flowers

[1]