Welkom bij de online catalogus van de aankomende Kunst- & Antiekveiling
Hieronder treft u onze online catalogus aan. Het is een 'Live Online' zaalveiling. Zodra u bent ingelogd kunt u zelf online commissiebiedingen (dus uw maximale bod) plaatsen middels de online catalogus. Dat kan tot één uur voordat van de betreffende zitting de zaalveiling begint. (U krijgt géén melding als uw commissiebod overboden is). De data en aanvangstijden van de zittingen van de 'Live Online' zaalveiling staan bij elk kavelnummer vermeld. Op die tijden kunt u de live stream van de veiling volgen en 'Live Online' meebieden. Tevens is bieden in de veilingzaal mogelijk. U kunt de catalogus sorteren op volgorde van lotnummer of op volgorde van veilingdatum. Tevens kunt u een lijst met favoriete lotnummers maken middels het 'hartjes icoon' afgebeeld bij het lot van uw keuze. Deze favorieten vindt u terug onder de knop Mijn account > Mijn catalogus. Wij wensen u veel plezier bij het bekijken van het veilingaanbod, succes met bieden en hopen u 'Live Online' of in de veilingzaal te mogen treffen.
Sluiten
modelled as a butterfly (some small damage and losses to the kingfisher feathers as expected)
h. 11 cm
Collectie KVVAK, verkregen uit nalatenschap Maartje Draak (Collection Royal Asian Arts Society in the Netherlands, from the estate of Maartje Draak)
[1]
the red silk embroidered with phoenixes among flowers (some wear and fading of colour)
l. 11,7 cm
Collectie KVVAK, verkregen uit nalatenschap Maartje Draak (Collection Royal Asian Arts Society in the Netherlands, from the estate of Maartje Draak)
[2]
the stone of a greyish tone
l. 12,5 cm
[1]
of stylised shape and carved with taotie-mask, the stone of a mottled green, brown and grey tone
w. 7,5 cm
[1]
the stone of a dark brown tone
l. 5,7 cm
[1]
shaped as a human head, the stone of a dark green tone with alterations
h. 9,4 cm
[1]
each of long curved shape, the body ribbed and the head incised with eyes and ears, the stones of a grey- green tone (some old wear as expected)
l. 24-24,5 cm
From the collection of Dipl. Ing. Ralf Zeller
[2]
each side handcarved with an episode of the 'Three Kingdoms', the cases with title and artist's name and signature
each case 65,5 x 18,5 cm
[6]
Placed on wooden carved base.
h. 30,5 cm, b. 35 cm
[2]
raised on four feet and painted with scholars playing go in a garden (some wear and minor damages as may be expected)
29,8 x 20 cm
[1]
shaped as a gnarled trea-trunk, the base with seal mark, the cover with two seals
h. 7 cm
[1]
in standing position wearing long dress
h. 20,5 cm
[1]
including a gilt-wood carved fragment, a kneeling monk, a small Japanese mask, a metal Indian applique, brushes, a broken ink-stick and various wood carvings
h. 32 cm max.
Collectie KVVAK, verkregen uit nalatenschap Maartje Draak (Collection Royal Asian Arts Society in the Netherlands, from the estate of Maartje Draak)
[15]
the god of war wearing armour, his horse with saddle cloth (ear of horse chipped, the other ear chipped away, part of hat chipped, small chips to fingers)
h. 25,5 cm
[1]
depicting an elderly couple watching a performance in a garden, seal marks, framed (some wear and minor losses to the silk)
33 x 23 cm (the painting)
[1]
depicting an elegant lady reading in an interior, seal mark, framed (some wear and damage as expected)
32,5 x 22,5 cm (the painting)
[1]
depicting a lady in a mountainous landscape, with calligraphy 'Yuan Bao'er (one of the most imminent women from the late 6th century in the Sui dynasty) is cutting flowers from coloured silk'
88 x 19 cm
Provenance: Collection Professor Liu Hai Su, director Academy of the Arts, Shanghai, before 1940. Collection C.P. Bertling (1891-1970), Bloemendaal, acquired in an exhibition in the Batavische Kunstkring, 29 March 1940. Wanlan nüshi 畹蘭女士 Lady Wanlan is the pseudonym of the poetess Lu Qinghan 陸慶瀚 who worked in Shanghai in the middle of the nineteenth century. She was the wife of Mao Shuzheng 毛樹徵, a painter and collector and an acquaintance of Ren Bonian, maybe the most important painted in China at the time.
[1]
Depicting bamboo, rocks and yellow chrysanthemums
129 x 58 cm
Provenance: Collection Professor Liu Hai Su, director Academy of the Arts, Shanghai, before 1940. Collection C.P. Bertling (1891-1970), Bloemendaal, acquired in an exhibition in the Batavische Kunstkring, 29 March 1940.
[1]
Multi tiered with four generations represented in scale. Painted on canvas. Unframed.
h. 138 cm, b. 85 cm
[1]
carved in running position and looking over its back, the stone of a yellowish-green and altered tone
w. 7,5 cm
[1]
the animal has a unicorn and bulging eyes and is shown standing foursquare, the stone of a pale bluish-grey tone with alterations
w. 11 cm
[1]
with calligraphy and seals, framed
38,5 x 28,5 cm (the print)
[1]
Among them brushwashers and seal.
h. 4 - 15 cm
[11]
including an Yixing teapot and seals
[12]
Depicting lions with scroll ornaments and flowers. Probably from a daybed.
h. 45,5 cm, d. 23 cm, b. 14 cm
[2]
with two lion heads, standing on three cup shaped feet, together with an earthenware head, placed on a wooden block
h. 6,5 cm x diam. 13 cm
[2]
chased lotus-shaped coupe, the cover with chicken finial, sirih- and chalk box, decorated with foliage, both with hinged cover, 2nd alloy,
chain replaced
h. 11,5 cm x l. total 15,5 cm, 5,5 and 4 cm, 106 gr.
[2]
the flattened pendant surmounted with two openworked chilong, the stone of a pale celadon tone with russet veins
h. 13,5 cm
[1]
the pendants in various openworked dragon shapes and the washer shaped as a fruit, the stones varying in tone from pale to greysih-green celadon
l. 6,5-12 cm
[4]
of various spinach, celadon and brown tones, each drilled
l. 5,2-9,5 cm
[5]
the stone of a dark green tone with some altered areas (some nicks)
l. 8 cm
[1]
craved in curled position, the stone of a pale cream tone with russet inclusions (some wear and minute nicks)
l. 5,7 cm
[1]
carved with open mouth and horns resting on its tortoise shell back, the stone of a pale tone with large russet areas
l. 3,5 cm
From the collection of Dipl. Ing. Ralf Zeller
[1]
within a lacquer box
h. 1-5 cm
From the collection of Dipl. Ing. Ralf Zeller
[6]
with agate topper
l. 7 cm
From the collection of Dipl. Ing. Ralf Zeller
[1]
with traces of pigment
l. 33 cm
[2]
with Sogdian rider
h. 40 cm
[1]
each of pear-shape and with even sides, each signed on base
h. 7-10 cm
[3]
one of melon shape and incised with riverscape, one moulded with bats above foliage and one of even shape, each marked to base
h. 8-12,5 cm
[3]
the drunken poet shown leaning on his wine jar (minor nicks)
w. 6,5 cm
[1]
the yellow ground inlaid with a floral pattern, the cover shaped as an incense holder, the base with an apocryphal Yongzheng mark (crackles)
h. 10,5 cm
[1]
the laughing deity shown holding fan and cup and wearing a necklace over his big belly, the stone of a ruby-red and green tone (minor nicks)
w. 6,5 cm
[1]
seated with his belly exposed, holding a butterfly and a string of beads, the base marked with two characters
w. 11,5 cm
[1]
one rectangular and the other with pebble-shaped top, each inscribed
h. 3,5-4,3 cm, in box
[2]
carved with figures in a boat in an extensive pine-strewn river landscape (minor wear and some natural splits to the wood)
h. 12,2 cm
[1]