Welkom bij de online catalogus van de aankomende Kunst- & Antiekveiling
Hieronder treft u onze online catalogus aan. Het is een 'Live Online' zaalveiling. Zodra u bent ingelogd kunt u zelf online commissiebiedingen (dus uw maximale bod) plaatsen middels de online catalogus. Dat kan tot één uur voordat van de betreffende zitting de zaalveiling begint. (U krijgt géén melding als uw commissiebod overboden is). De data en aanvangstijden van de zittingen van de 'Live Online' zaalveiling staan bij elk kavelnummer vermeld. Op die tijden kunt u de live stream van de veiling volgen en 'Live Online' meebieden. Tevens is bieden in de veilingzaal mogelijk. U kunt de catalogus sorteren op volgorde van lotnummer of op volgorde van veilingdatum. Tevens kunt u een lijst met favoriete lotnummers maken middels het 'hartjes icoon' afgebeeld bij het lot van uw keuze. Deze favorieten vindt u terug onder de knop Mijn account > Mijn catalogus. Wij wensen u veel plezier bij het bekijken van het veilingaanbod, succes met bieden en hopen u 'Live Online' of in de veilingzaal te mogen treffen.
Sluiten
after the famous horse-painter from the Tang dynasty, with collectors's seals, the original is in the Metropolitan Museum in New York, framed
30 x 42,5 cm
[1]
depicting the Dada (Mongolians), made to look antique
85 x 125 cm
[1]
(largest one restored)
h 11,5-21-28 cm.
Provenance: private collection 2012
[3]
carved with notched sides, incised with vertical and horizontal lines, the stone of a mottled celadon tone with russet inclusions and veins (natural cracks and inclusions, rim with some old nicks, some wear as expected)
diam. 5 cm
From the collection of Dipl. Ing. Ralf Zeller
[1]
one carved in reclining position and the other one standing foursquare, the first of a yellowish green tone and the other one of a sea-green tone (surface wear, natural cracks and inclusions)
l. 5,5-6 cm
From the collection of Dipl. Ing. Ralf Zeller
[2]
each variously carved with scrolls and terminating in dragon heads, of celadon and grey tone, opaque (surface wear, encrustation)
w. 10,5-12 cm
From the collection of Dipl. Ing. Ralf Zeller
[3]
of various stylised shapes and of cream, grey and celadon tone
h. 5,5-8,5 cm
[3]
seated with exposed belly beneath his purple robes (some damages)
h. 19,5 cm
[1]
the attendant standing beside the horse carrying vessels, partially covered with aubergine and turquoise glazes (wear as expected)
w. 20 cm/ h. 15 cm
[1]
With rice paper and metal hanging candleholder and drip pan. (paper with tears).
h. 77 cm, diam. 31 cm
[1]
the panels painted with figures and calligraphy (wear as expected, one panel with crack)
58 x 89 cm
[1]
with eighteen yellow glass beads, a red and two blue beads, with pendant of coral, jade and white-metal Tibetan pendant of Vajrapani
l. ca. 32 cm (overall)
[1]
comprising beads of glass, lapis lazuli and jade, with jade pendant and hanging tassels
l. ca. 44 cm (overall)
[1]
of a dark blue translucent tone
diam. 19 cm
[1]
of rectangular shape and enamelled in yellow and blue with flower scrollsencircling a cartouche with characters, with malachite and coral bead
h. 6,3 cm
[1]
depicting two fighting cockerels, embroidered with seal and calligraphy, framed
52 x 46 cm (excl. the frame)
[1]
of flared shape, with encrustation
h. 14 cm
[1]
seated on a chair (split to wood, some damages)
h. 29,5 cm
[1]
with seven carved panels in relief
b 237, h 45, d 31 cm
[1]
189 x 52, h. 82 cm
Uit de collectie van een Amsterdamse kunsthistoricus.
[1]
depicting a front-facing horse, with inscription and seals, framed (wear and some damages)
67 x 45,5 cm
De Wilma en Max Schuhmacher collectie
[1]
the mythological animal moulded in high relief among the buddhist symbols, on later stand
48 x 49 cm
Provenance: Daroum, Antwerp.
[1]
the scabbard moulded, with wood handle (wear)
l. 59 cm
Provenance: Private Dutch collection, bought on the London Art Market, prior to the early 1980’s.
[1]
(damage and wear as expected)
h. 20 cm.
Published: 'Onze Aarde, Maanschrift 1936, pagina 322.
[1]
met Chinese tekens gedecoreerd.
diam. 28,5 cm.
[1]
seated in dhyanamudra with right hand in bhumisparshamudra, the base sealed
h. 17 cm
Collectie KVVAK, verkregen uit nalatenschap Eric Maten en Hans van der Veer (Collection Royal Asian Arts Society in the Netherlands, from the estate of Eric Maten and Hans van der Veer)
[1]
seated in dyahnasana with his right hand in bhumisparsamudra before a flame on a double lotus throne and with engraved Tibetan calligraphy at the reverse, with remnants of cold gold paint
h. 15 cm
Collectie KVVAK, verkregen uit nalatenschap Eric Maten en Hans van der Veer (Collection Royal Asian Arts Society in the Netherlands, from the estate of Eric Maten and Hans van der Veer)
[1]
with four arms holding various attributes wearing a fine robe, jewelry and holding attributes
h. 22 cm
Provenance: Paul Rutten Asiatic & Tribal Art, Amsterdam, 2009; Collectie KVVAK, verkregen uit nalatenschap Eric Maten en Hans van der Veer (Collection Royal Asian Arts Society in the Netherlands, from the estate of Eric Maten and Hans van der Veer)
[1]
finely delineated features, with remnants of red pigments, curly hair with urna and ushnisha on forehead (small damage to nose), on a custom-made stand
h. 24 cm (excl. stand)
Art of the Past, New York; Kunstzalen A. Vecht, Amsterdam, 2011; Collectie KVVAK, verkregen uit nalatenschap Eric Maten en Hans van der Veer (Collection Royal Asian Arts Society in the Netherlands, from the estate of Eric Maten and Hans van der Veer)
[1]
the hands in anjalimudra with Buddha above and two tara's below and holding a mala and a white lotus flower showing a cintaman
53 x 36,5 cm
Collectie KVVAK, verkregen uit nalatenschap Eric Maten en Hans van der Veer (Collection Royal Asian Arts Society in the Netherlands, from the estate of Eric Maten and Hans van der Veer)
the front panel with a dragon emerging from a Bumpa, floral decor and the jewels Norby and Rinpoche, with wrought iron lock and fittings
b 104, h 59, d 37 cm
Paul Rutten Asiatic & Tribal Art, Amsterdam, 2004; Collectie KVVAK, verkregen uit nalatenschap Eric Maten en Hans van der Veer (Collection Royal Asian Arts Society in the Netherlands, from the estate of Eric Maten and Hans van der Veer)
[1]
each with stylised decoration
diam. 19,5-26 cm
Refuge, Diepenveen, Holland; Collectie KVVAK, verkregen uit nalatenschap Eric Maten en Hans van der Veer (Collection Royal Asian Arts Society in the Netherlands, from the estate of Eric Maten and Hans van der Veer)
[2]
one with incised geometrical decoration (broken and reglued), one mammiform (reglued spout), one with short spout and one with brown glaze (some damage and wear as expected)
h. 10,5-17 cm
[4]
the bulbous body with incised decoration and modelled face (some minor wear as expected)
l. 21 cm
[1]
carved with a seated figure of Buddha
4,9 x 3,4 cm
Collectie KVVAK, verkregen uit nalatenschap Maartje Draak (Collection Royal Asian Arts Society in the Netherlands, from the estate of Maartje Draak)
[1]
carved with elaborate dress, with loose wooden stand
h. 33 cm (excl. stand)
[1]
seated in meditation on a stepped throne, a snake canopy behind him
h. 32 cm
[1]
together with a Sawankhalok bowl and an Annamese celadon-glazed saucer, 14th/ 15th century and later (some wear as expected)
h. 25 cm max.
[3]
comprising a box and cover and three various jarlets (crackled glazes, minor frits and chips, some wear)
h. 2,5-5,3 cm
[4]
carved with the seated figures of Buddha Sakyamuni, Buddha Amitayus, Samantabadra, Jambala, and Manijughosha between scrolls and bordered with geometrical scrolls (some wear as expected)
23,5 X 67 cm
Acquired with Galerie Annapurna on 1 January 1978
[1]
his right hand in abayamudra, his head with high flame and elongated earlobes
h. 32 cm
[1]
shown seated on a stepped throne
h. 10 cm
[1]
shown with consorts in a heavenly mountain landscape
17 x 33 cm
[1]
With decoration of animals highlighted with red pigments, and turquoise an coral stones.
h. 26 cm, b. 26 cm, d. 20 cm
[1]