decorated with stylised pomegranates and flowers (minor rim frits and small nicks)

[3]

each painted with a fierce dragon (minor frits)

[2]

painted with a continuous scene of equestrian warriors (chip to foot)

[1]

he interior painted with a fierce dragon holding a pearl and emerging from crashing waves, the base with an apocryphal Kangxi mark (some iron spots)

[1]

painted with dragons confronting the pearl of wisdom, the base with an apocryphal Qianlong seal mark and label of the Tianjin Quan YeChang Market

[1]

the interior moulded in relief with a dragon and inscription, the rim with four flower-sprays, reserved on a dark strawberry red ground

[1]

painted with two dragons contesting the pearl, the reverse with cranes and an apocryphal Kangxi mark

[1]

each painted in iron-red with a central dragon roundel surrounded by famille rose lotus scroll, the bases with an apocryphal Guangxu mark

[2]

painted with ruyi-shaped panels of flowers

[1]

painted with swimming goldfish among waterweeds, the rim with overglaze blue flower-sprays within a spearhead border

[1]

painted with pavilions and a pagoda in an extensive river-landscape

[1]

of rectangular canted shape and painted with a river landscape, the rim with scrolls, butterflies and flowers (one with a grazed chip to the reverse rim and the other with a hairline and small rim chips)

[2]

moulded with ribbed sides and overhead handle, painted with various flowering plants (minor chips and nicks)

[1]

moulded with petal-shaped panels and painted with jardinières, the flared necks with twin dragon handles (one with restored and overpainted mouth rim)

[2]

each variously painted with figures in a garden landscape (each with small chips and hairlines)

[3]

one painted with ruyi-scroll and the other with flower scrolls (minor rim nicks)

[2]

each painted with panels of ladies and jardinières (the covers matched)

[2]

the front painted with a green dragon chasing a gilt pearl, the reverse with two dragons chasing pearls and an apocryphal Daoguang seal mark (glaze scratch)

[1]

comprising seven cups and thirteen saucers and a later cup and saucer, each painted with a monkey seated in a pine-tree looking at a deer below holding a spray of lingzhi fungus, each with an iron-red mark to the base (one saucer with a faint hairline rim crack, one saucer with a faint star hairline crack to the center, two cups with a faint hairline)

[22]

painted with a bird in flight above a blossoming peony (in good overall condition)

[12]

painted with figures and calligraphy from the Book of Peerless Heroes, comprising ten small cups and eight covers, five larger cups and four covers and ten saucers, the larger cups and saucers with iron-red Daoguang seal marks (some hairlines and small damages)

[25]

each with slightly flared rim, the bases with four-character marks

[2]

enamelled with the Eight Auspicious Buddhist Symbols surrounding a lime-green flower pattern to the centre, the base with (part) apocryphal Guangxu mark (glaze scratch, nick to footrim, one character of the mark ground down)

[1]

decorated with flower-baskets of lilies, lotus and chrysanthemum (two with a hairline, various small rim nicks)

[6]

painted with large peony blooms in a fenced garden (hairline rim crack predominantly visible to the reverse of 6 cm long)

[1]

each decorated with bamboo, flowers and intertwined fruiting pomegranate stems, the bases with six-character mark

[2]

painted with figures paying tribute to a dignitary seated in a palace setting (glaze crack)

[1]

finely painted and gilt with figures before pavilions (small hairline to base of saucer and a small rim chip to the saucer

[2]

decorated with pseudo coat-of-arms above various motto's in Latin, further painted with shaped cartouches of fruit and flowers and moulded with scrolling flowers (minor frits and rubbing to enamels)

[2]

each painted with butterflies among scattered flowers (both with a restoration to one handle, some small chips and frits)

[2]

the censer with pierced cover and painted with flower-vases and inscription, the base with an apocryphal Qianlong mark, the teapot with Shou-symbols and butterflies (both with some small chips)

[2]

in two sizes, each painted in 18th-century-style with a central lotus roundel surrounded by roundels of peony (some small rim chips)

[7]

comprising a Swatow dish, an olive-glazed ginger jar, a green vase, a blue-ground vase, a model of a monk and a small jarlet (various damages)

[6]

each moulded with ribbed sides and covered with a thick celadon glaze stopping short at the neck and foot

[2]

each covered with a celadon glaze stopping short at the neck and foot (some old chips)

[2]

comprising a vase and a ginger jar and cover with figural decoration and a ginger jar and cover decorated with antiquities (both covers restored, the jar with antiquities with a star-crack to the base)

[3]

With decoration of high ranking figures in pavilion. Underneath with extensive characters in roundel.

[1]

With floral decoration and prominent painted characters on the vases and lids.

[2]

one painted with ladies in a garden, the other with birds among flowers, both on wood stand (the 'birds' vase with rim crack)

[2]

comprising an overdecorated 'Amsterdams Bont' bowl, a famille rose floral bowl and a famille rose jar and cover painted with bird on a flowering branch (cover restored and with hairlines)

[3]

variously decorated with flowers (various damages)

[3]

the exterior painted with birds in flight and the interior with bamboo and vine (surface wear and glaze flaws)

[1]

delicately painted with prunus and chrysanthemum blooms, the base with four-character mark (minor nicks to the rim)

[1]

the set painted with a lady in a wheelcart, a horse and attendants, the single saucer with figures in a landscape

[5]

the deity is shown seated on a lotus throne, his robes exposing his full belly, wearing a beaded necklace and holding a ruyi-sceptre, children clambering over his sides, the reverse with apocryphal seal mark and Dehua double-gourd mark

[1]

seated on a lotus throne dressed in long flowing robes, headdress with figure of Buddha and necklace, her right hand in vitarkamudra, the reverse with two apocryphical blind marks (in good overall condition)

[1]

painted with immortals sailing to their palace, cranes above, with apocryphal Kangxi mark and label of the Tianjin Quan YeChang Market

[1]

each flattened side pained with a front-facing dragon, the sides with two ring handles, the base with an apocryphal Qianlong mark

[1]