with traces of red pigment.

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dressed in beaded necklace, in between the breasts vegital power material, probably continuing in the back. On top of the head a hole. Acording to label underneath, ex collection Harrie Heinemans, Eindhoven

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showing a standing female figure, the face, torso and thighs with tatoo pattern. Metal pupils

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with three brass tacks.

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seated on a column shaped seat. With pigments.

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showing a rhombic formed mount in high relief and an ecrusted patina.

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the heardoo with four tresses, blackish patina and traces of red pigments.

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hands touching the knees, with a dark patina.

pendant, the ankles woth a knotted string, fine patina.

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glass beaded ornaments and ricket's-blue hairdress.

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with a janus-head.

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hands to the breasts, details in black.

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showing a Tipoye style, hammock traveler. A pair of seated porters holding a Colonial style hammock carrying a person, decorated with fine geometrical carved patterns. An old label in the pipehead, reading 585 and a number in white lacquer T60 on the iron rod. The pipe bowl interior covered in iron.

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constisting of a male and female figure. Details in black.

[2]

with drilled nostrils, ears and a hole above the left armpit. By all probability a work by the sculptor Lunkena Pale (1911-1975), pupil of Sikire Kambire (1896-1963) in Gaoua.

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rectangular eyes and mouth exentuated by white and red pigments

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showing a pair of finely carved large horns and ears, on the nose and forehead geometrical carved decoration. (with restoration)

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dry black patina.

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with janus-head showing a male and female face, on a wooden shaft with copper winding strip and wrought iron.

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thick blackish patina and lime pigments details, stiations along the face.

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in the shape of a horned animal.

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the hairdress in three tresses, the face with a goatee, free carved arms, flanking the belly.

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holding a ceremonial staff. With a local right arm restauration.

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male and female.

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the dish surported by a hunter figure, his left leg to the front, wearing a knife in his left and a rifle in right hand. With a box of cartridge around it's middle.

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the headdress with incised lines, eyes set with metal tacks, brownish-black encrusted patina.

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with a sword in it's right hand and an animal head in it's left hand.

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portraying a seated male and female figure, connected by a copper alloy chain with a sword amulet attached.

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with carved triangular amulets, beaded ornaments and inserted metal eyes.

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with a bird on her head, broad shoulders and a blackish patina.

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three carved faces on a cylindrical staff.

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wearing a triangular talisman amulet at the back and various miniature glass beaded strings around the neck.

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He exhibited in various exhibitions, among them: Musee du Quai Branly, exhibition 'Les Maitres de la Sculpture de Cote d'Ivoire', 2015, pag. 221-224. And published in various catalogues, among them : E. Bassani, 'Arte In Africa', Edizioni Panini, 1986. His work is included in several well-known art collections. These artist where brothers and also worked together, this sculpture could be from either hands, or a work in a collaboration of both artists.

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showing in high relief a stylized female figure holding her breasts.

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one full bodied with arms and legs, the other with extanding arms, plain boddy. Herewith a stylized Dogon iron anthropomorphic figure.

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with iron shafts and brass top and a pair hooks

D.R. Congo, a copper alloy Lemba armlet with figures in relief; a Nigeria, blade shaped iron currency and three Burkina Faso, Mossi, copper alloy hair pins. The Congo bracelet possibly Bakongo, Villi.

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braun-black patina and white painted lines.

hands touching the thighs and pointed headdress. Dressed with necklace. The front covered in white lime.

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neck and hairdress with elaborate carvings.

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