the interior incised with flowing floral decoration, the glaze of a greyish-green tone

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incised with flwoing decoration and the spout and handle moulded with chilong, partially covered in a green glaze with yellow splashes (wear, old chips and flakes to glaze)

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of conical shape, the interior moulded with flowers and the rim covered in gilt

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of bottle-shape with flat rim, covered with a soft sea-green glaze suffused with a network of gray crackles

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painted with cartouches of flowers, flower-gardens and peach, interspersed with ruyi-heads (damaged)

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the bulbous body covered with a streaked purple and lavender glaze on a ground of crackled mushroom glaze

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each rounded box covered with a blue glaze with a flower pattern (wear as expected, one broken and reglued, one firing crack and chip))

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painted with a central star-shaped panel including a bird on a rock, surrounded by lappets of peach, flowers and lingzhi (frits, glaze wear)

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each painted with a flower-vase on an upturned leaf (some small rim chips)

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variously painted with flowers and one with a riverscape (one broken and reglued, some chips)

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each painted with a butterfly and flower-vase in a garden, together with two transferprint saucers

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comprising a pair and two various 'Lowestoft' dishes, two Qianlong dishes and a later octagonal tazza painted with a bird on peony (some rim chips and hairlines, ine plate restored)

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the lobed saucer dish painted with elegant ladies and flowers, the base with 'jade' mark (small firing crack with small related hairline, hairlines and small reglued chip)

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painted with a flower-basket, the ribbed sides with flowers (two hairlines)

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with raised centre painted with flower-vase and scroll painting, surrounded by bands of flowers and fishermen in riverscapes (rim check restored with crams of 6 x 2.5 cm)

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each decorated overall with peony-heads and scrolling branches

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of quatrefoil shape and painted with butterflies among flowers

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painted with a female Immortal and phoenix (neck broken and reglued with related infilled chip)

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each decorated with butterflies and birds in a flower garden (one with hairline star crack to the base and one with small rim chip, overall in good condition)

[10]

comprising an Annamese blue and white box and cover, ca. 16th century, a blue and white Swatow dish, ca. 17th century and a gilt-decorated powder-blue saucer, 18th century (the two dishes damaged)

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painted with flower sprays, the set of eight with a turquoise and the single saucer with a green border (some hairlines and minor rim nicks)

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one painted with a scholar and the other with a mythological creature

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Among them vases, bowl and plates. (damages).

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the interior painted with four figures of Lan Caihe surrounding the Eight Buddhist Treasures, the exterior with openworked key-fret band and painted with lotus, peony, chrysanthemum and prunus (rim chip and small related hairline)

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with moulded sides and covered with various cream glazes (wear dus to exposure to sea-water)

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with moulded sides and covered with various cream glazes (wear dus to exposure to sea-water)

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with moulded sides and covered with various cream glazes (wear dus to exposure to sea-water)

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comprising three saucers with river landscape (one mounted as a tile), one with calligraphy and one with stylised flowers (damages and wear)

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one floral in blue and white and the other famille rose with tobacco leaves, together with a Hutschenreuter tea-caddy and silver cover (some wear and small damages)

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comprising a copper-red-glazed vase, a famille rose dish, a blue and white plate, a ginger jar, a sancai pottery lady and a Japanese Imari vase

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With decoration of prunus.

[2]

painted with petal-shaped panels enclosing flowers (three with a hairline some various small frits and nicks0

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one large fish, a small one and a set of five small deep dishes, all with floral decoration (large dish reglued, various chips and hairlines)

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each hound in seated position (worn glaze, chips and frits)

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each porcelain plaque variously painted with birds and flowers, each with inscription and seals (some wear and damage as expected)

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two variously embroidered with flowers and bats, one with flowers and one with figures (some wear and as expected)

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Hong Kong Museum of Art, presented by The Urban Council, Hong Kong 1987

[2]

comprising a green-glazed earthenware, a nephrite jade and a soapstone water-pot each in the shape of the drunken poet Li Bai, a green-glazed earthenware pencil-holder, two soapstone vases and an ink-cake

[7]

of oval shape and the upper part inlaid with four mother-of-pearl dragon panels, the upper rim inlaid with silver wire (some damage to the interior, some cracks to the mother-of-pearl)

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