painted with ladies and a rabbit in a fenced garden, the sides applied with openworked flat handles, the base with an apocryphal Chenghua mark (one handle restuck with two related drill holes)

[1]

modelled with a tall neck, the bulbous lower section painted with lotus panels (top part of neck restored, chip to footring)

[1]

one painted with equestrian warriors and the other with a farmer and his buffalo (the latter with minor rim nick)

[2]

comprising a set of fifteen cups and eleven saucers painted with a rockwork garden surrounded by panels of flowers and a set of three moulded cups and saucers painted with flowers and cockerels (various rim chips and small damages)

[33]

each painted with a central medallion with a river-landscape, encircled by petal-shaped floral cartouches (minor rim frits and small chips)

[4]

each painted with pheasants in a rockwork flower-garden (glaze to rims ground down at places, minor rim nicks and small chips)

[4]

painted with a central medallion surrounded by petal-shaped panels enclosing riverscapes alternated with lotus, chrysanthemum, prunus and peony (glaze of rim worn, some glaze scratches to the centre)

[1]

painted with prunus and pomegranate and inscribed with well-wishing characters, good luck, health, longevity and wealth, the rim covered with a silver band, the base with Imperial mark of the fourth emperor of the Nguyen dynasty (1847-1883)

[1]

painted with a dragon lookin down at carps leaping from the sea, the base with two-character mark 'Nôi Phù' (two small rim chips)

[1]

painted with dragons chasing the flaming pearl, marked 'Thiêu Tri', the third emperor of the Nguyen dynasty

[1]

each large cylindrical jug modelled with a C-shaped handle and painted with peony sprays (one with a faint hairline)

[2]

painted with flowers (minute nicks to tip of spout, rubbing to gilt)

[1]

variously painted with flowers (one with small grazed rim chip)

[2]

painted with flowers and riverscapes, the base moulded with scroll appliques (chip to cover and reglued chip to mouth rim of caddy)

[1]

painted in gilt and verte-Imari enamels with a lady and a boy before some waterfowls, after a the drawing of the Parasol Ladies by Cornelis Pronk (the saucer with a faint star crack to the base, minute nick to rim of cup)

[2]

modelled with twin lion-head handles, standing on tripod mask supports, decorated with panels of peony surrounded by lotus heads and blue scrolls on a pale blue ground, the flat top with two large and two smaller apertures (glaze flakes, grazed chips to supports)

[1]

each painted with two birds in a garden with prunus and peony (minor rim frits and nicks, some rubbing to the gilt and some wear to the enamels)

[3]

decorated with green dragons chasing the pearl, the base with an apocryphal Kangxi mark, in box

[1]

each reserved in white with a pair of dragons contesting the pearl, on a cloudy blue ground, the bases with a four-character mark

[2]

each painted with a central lotus flower centred by bands of petal-shaped floral cartouches (frits to rim, one with grazed rim chip)

[2]

painted with panels enclosing flowers, the set marked with symbol and the similar, slightly smaller, saucer with flower (one cup with rim crack of ca. 6 cm, one saucer with star-crack to base, one saucer with small hairline rim crack and all with minor frits to rims)

[7]

each painted with two confronting cockerels (one plate with a chip and related hairline)

[2]

the set decorated with a central roundel painted with a boy on a terrace, surrounded by lotus roundels and antiquities, the single plate with cranes and pagoda pattern (two of the set with a hairline, all plates with small rim chips)

[4]

each decorated with a flower-basket, surrounded by petal-shaped panels enclosing flowering plants (minor rim frits, one with crazed glaze to the centre)

[2]

decorated to one side with a fisherman and to the other side with a warrior and a lady, the short sides with peony and the shoulder with panels of butterflies and iris (hairline to the neck)

[1]

each of rectangular section and painted to the long sides with a kylin in a landscape, the short sides with birds, the covers with buddhist lion finials (one vase with reglued chip to the rim and small related loss to the rim, the other with some damages to the foot, both finials reglued, one cover with restoration to one corner)

[2]

of rectangular shape and painted and gilt with a coat-of-arms on each side (rim frits)

[1]

variously painted with chrysanthemum and lilies, one with apocryphal Qianlong mark and the other with Hongxian mark

[2]

moulded with wavy gilt rim and painted to the centre with a gentleman with acolyte and horse standing before a pavilion with three ladies, surrounded by four clusters of buddhist symbols and flowers at the rim, the base with a four-character Jiaqing seal-mark

[1]

painted with two dragons chasing the flaming pearl, the base with a six-character Xianfeng mark in underglaze blue (small nick to foot)

[1]

painted with frolicking horses and buddhist symbols on a whorl-pattern ground with flowers, between two floral bands, the cover similarly decorated (crack to base extending 17 cm upwards over the jar, two faint hairline cracks to the neck of ca. 7 cm max., crack to rim of cover)

[1]

painted with figures in a garden

[1]

of rectangular shape and painted with prunus and flower-heads (frits to rims)

[1]

painted with antiquities (cover missing, forked hairline)

[1]

each similarly painted with ladies and boys in a fenced garden, the bases with apocryphal Chenghua marks (both restored and both with faint visible hairlines, both with minor rim frits)

[2]

moulded with panels decorated with flowers and antiquities, the interior painted with a figural scene (fritted rim, hairline rim crack of ca. 6 cm)

[1]

each decorated with a central rockwork garden surrounded by petal-shaped panels enclosing flowers, the bases with lingzhi marks (some flaked rim chips and some small frits)

[2]

painted with pavilions in an extensive river landscape (minor nicks to the rim)

[1]

comprising two teapots, two milk-jugs, a tea-caddy, two bowls, a pair of saucers, a small deep dish, a set of four cups and six saucers and a pair of cups with one saucer (some damages)

[23]

painted with panels of chrysanthemum, peony and prunus, the base with an apocryphal Chenghua mark (glaze frit)

[1]

painted with ruyi-shaped panels and stylised flowers (one small firing crack resulting in a faint glaze scratch)

[1]

the goddess and acolyte depicted in a pine-strewn landscape (hairlines restored)

[1]

one painted with pheasants in a peony garden and the other with a bird in a garden with large peony blooms and prunus

[2]

painted with two confronting cockerel in a garden with peony and magnolia (hairline rim crack of ca. 3 cm)

[1]

each painted with a buddhist lion in a rockwork garden (one cup with large reglued chip and hairline, one cup with hairline, one cup with small rim chip and small hairline, one saucer saucer with hairline rim crack, one saucer with small rim chip)

[8]

comprising three baluster vases and covers and a pair of cylindrical vases, each depicting the story of Yang Xiang rescuing her elderly father from a tiger, symbolising filial piety (one cover with reglued finial and small damage to rim, one baluster vase with a forked hairline of ca. 24 cm long, another cover with reglued finial and larger restored chip, the third cover in good condition, one cylindrical vase with two hairline of ca. 7 and 25 cm, the other cylindrical vase with a rim chip of ca. 2 x 0,5 cm, some glaze flakes)

[5]

each painted with a flower vase filled with peony and summer flowers, the rim with lotus, peony and various flowers (one plate with a star crack and one with a rim crack, minor nicks to the rims)

[6]

painted with Cui Yingying waiting for Zhang Sheng who has thrown his boots over the wall before climbing (one with a forked hairline to the rim and both with small rim chips and some wear to the enamels)

[2]