moulded with curved spout and handle, the cover with knobbed finial (spout reglued, rim chip and wear)

[1]

comprising various lamps, a model of a stove and a threadmill, all partially covered with iridescent green glazes

[5]

one figure on horseback, a standing court lady and a donkey

[3]

the sancai pieces an basin and a threadmill

[3]

the sides carved with branches of prunus forming the base and handle, the interior with remnants of silver (small chips to branch)

[1]

comprising a bracelet and two pendants

[3]

the panels painted with figures and calligraphy (wear as expected, one panel missing, one panel with crack)

[1]

with marble top

[1]

depicting reeds, with seals and date seals

[1]

depicting birds and chrysanthemum, with seals and dates

[1]

depicting large blossoms, with seals

[1]

depicting sailing vessels in a river landscape, framed and glazed, not signed (some creases, losses and discolouration)

[1]

depicting elegant ladies in a fenced garden, with calligraphy and seals framed and glazed (some losses, creases and discolouration)

[1]

depicting a mountainscape, signed, framed and glazed

[1]

depicting a grasshopper on bamboo, signed and sealed, framed and glazed (damaged)

[1]

one depicting mother and child, signed Rusheng(?), the other one depicting an allegory on studying, signed, framed and glazed (creased and stained)

[2]

each wearing long robes and holding various attributes

[5]

one signed and with two embroidered seals, signed by/ after Deng Shiru, framed and glazed

[2]

depicting flowers, birds, fish, ships, professions and various ethnic groups, bound in a red silk brocade album (staining and wear as expected)

[1]

thee framed and glazed and depicting children's play and one lady painted on a leaf

[4]

comprising a buddhist lion, a pair of Thai lions and a Chinese lacquer-inlaid tray (some wear as expected)

[4]

comprising a lacquer tea-caddy with pewter lining, a pewter teapot a green-glazed vase, two porcelain saucers and one cup

[6]

carved and gilt with two Immortals in the clouds (damages)

[1]

comprising a red mamianqun and two black skirt fragments, echoing embroidered with flowers

[3]

embroidered with butterflies, flowers and Shou-panels

[1]

modelled as a kylin with book on top, symbolising wealth and promotion

[1]

with geometric slib-decorations.

[7]

carved with birds and flowers.

[1]

shown seated drinking tea, with inscriptions and seal

[1]

[1]

met vier laden

[1]

in striding pose with his left hand in abhayamudra, on wood stand

[1]

the fierce deity standing in pratyalidhasana on a horse and human figure, holding a vajra in his right hand and his left in tarjanimudra, wearing a tiger skin and elaborate jewellery, the face with wrathful expression and cold-gilt, the headdress with five skulls before a vajra and his flaming hair with red pigments

[1]

seated in lotus pose on a double lotus throne and his hands in bhumisparsamudra, the face with downcast eyes and meditative expression (some losses to the base and general expected wear)

[1]

standing on a lotus base, wearing long robes and ornate jewellery, one lotus stem on the shoulder

[1]

seated in meditative pose on a stepped plinth, wearing elaborate dress

[1]

the cover moulded with a buddhist lions surrounded by three animals, in imitation of basketry (some small dents as may be expected)

[1]

seated in cross-legged with his hands in bhumisparsamudra, wearing detailed robes (wear, inlays missing)

[1]

with silver and copper inlays, the reverse with engraving and dated

[1]

depicting a musician and a lady in a garden

[1]

cast with a jina seated in meditation under a single tier umbrella flanked by elephants, surrounded by seated or standing meditative figures, on openwork plinth, the reverse with inscriptions in devanagari script (small loss to corner of base, some wear and minor damages as may be expected)

[1]

depicting Avalokitesvara surrounded by demons and Bodhisattva's, framed

[1]

seated in vajrasana on a double lotus throne, his hands in dharmachakramudra, wearing long robes and two lotus stems are beside him, sealed

[1]

the hands in anjalimudra surrounded by five bodhisattva's and holding a mala and a white lotus flower showing a cintamani, painted in the tsalthang serdi technique of gold and black paint on a red ground

[1]

seated on a plinth wearing armour and a crown, with fierce facial expression

[1]

depicting Hayagriva in unison with his consort Shakti, framed

[1]