some restorations

[1]

raised on tripod legs, with two upright flanges, the handle in the shape of a mythical beast and the body with geometrical patterns and animal masks (lower half restuck and with restoration, chip to spout, wear and small damages)

[1]

of oblong octagonal shape, decorated in gilt on the black ground with scenes of figures near pavilions (lock damaged, some small damages and wear to lacquer and gilt as expected)

[1]

met gekrulde haardracht

[1]

shown in seated position, with details picked out in red pigments (some chips and wear)

[1]

modelled with short spout and handle, covered with a pale yellowish glaze (neck restored, some small chips, crackles, glaze wear)

[1]

with bulbous body and foliate rim, covered in a greyish white glaze (restoration to rim, wear)

[1]

comprising a bronze Buddha, a stone Buddha, two stone figural carvings, a soapstone libation cup, a carving of a reclining beast and four various snuff bottles (some wear and damage)

[ds]

[2]

with two carved wooden bookends with floral patterns, possibly a kakawin, a poetry album. With Chinese coin on rope.

[1]

with remains of pigments (worn)

[2]

raised on tripod legs and with a pair of curved handles, covered with an iridescent green glaze (handles restored)

[1]

modelled with bulbous body and tall neck with clambering chilong, covered with an iridescent green glaze (rim chips)

[1]

shown standing on foaming waves, wearing long robes, beaded jewelry and a crown, an acolyte by her side, marked to the reverse

[1]

[2]

shown seated on its haunches and carved with open mouth and bulging eyes (some wear and small damages)

[1]

shown emerging from a lotus pond fronting a pearl, in Japanese wood box signed by Kitagawa Utamaro (1786) (box worn, carving with some wear)

[2]

standing dressed in ling robes, wearing conical hat and holding a sack in both hands (damage and wear)

[1]

formed as an equestrian warrior, traces of pigments (chips and damages)

[1]

the standing deity dressed in long flowing robes and adorned with jewellery (one foot and one finger chipped away)

[1]

modelled in standing position with incised beak and eyes (damage and wear as expected), in black storage box

[1]

standing foursquare on a rectangular plinth (encrustation, damage and wear as expected), in black storage box

[1]

each of oblong shape, one pierced and carved with a mythological animal and one with fish and dragon

[2]

one depicting Guanyin and the other Buddha (some small nicks to the extremities)

[2]

the circular pendant carved and openworked with a deer, a bat, ruyi and finger citron (minor nicks)

[1]

the cylindrical bottle painted with eight frolicking horses (vertical hairline and fritted shoulder)

[1]

most of even shape, two moulded with leaves, comprising one cup (damages)

[10]

cast on splayed foot and moulded with stylised panels enclosing geometrical designs and protruding flanges to the upper body (stands slightly body)

[1]

cast in a boat shape, the twin handles formed as stylised clouds, the rim cast with a meandering border and only one pole

[1]

the deity shown standing on a rockwork base with a a crane by his side and a tortoise in his hand, his other hand holding an incense bowl (some wear)

[1]

carved through multi-coloured overlays with butterflies in flight (minute nicks, stopper with some wear)

[1]

colours on paper, showing a Bodhisattva seated on a Buddhist lion, framed and glazed (some holes and creases)

[1]

three carved arches, torana, depicting Prajnaparamita, the goddess of wisdom in the center, and two Buddha's flanking her. All surrounded by deities, floral patterns, Garuda and in a multiple leaf and pearl cord frame, in the center , flanked by 2 Buddhas, each on a lion throne, above them Garuda and a Kirtimukha. Panel with a part wax seal and remnants of black patina.

[1]

right hand in Bhumisparsha mudra and text engraved at the back.

[1]