Including: Jades from China, Museum of East Asian Art, Angus Forsyth & Brian McElney, Hong Kong, 1994, Neolithic Jades in the Collection of the National Palace Museum, Teng Shu-P'Ing, Taipei, 1992. Chinese Jades, Ming Wilson, V&A, London 2004.

[22]

Including: Harmony and Integrity, The Yongzheng Emperor and His Times, National Palace Museum, 2009. Warring States Treasures, Cultural Relics from the State of Zhongshan, Hebei Province, Hong Kong Museum of Art, 2000.

[35]

A collection of approximately 61 volumes of the renowned annual British scholarly journal. London: various Printers, 1934-2018. Comprising: volume 12, 1934/35. Volumes 23, 24, 26, 28, 29, 32, 33, 34, 36, 37, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54 (2x), 55, 56 (2x), 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69 (2x), 70 (2x), 71 (2x), 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 83, 84. Limited editions, early issues are of 200 copies, growing to 1100 by the 1970s. Original wrappers or cloth bindings. Herewith; Collectors, Curators, Connoisseurs: A Century of the Oriental Ceramic Society 1921-2021, London, 2021.

[62]

carved as the endless knot, the stone of a celadon and russet tone

[1]

carved on short foot, with slightly flared rim, the stone of a mottled dark green tone

[1]

with 22 colour woodblock prints. Rongbaozhai, Beijing 1952, 5th month. Brocade covers.

[1]

the God of Literature shown seated on a rockwork base and holding a ruyi sceptre, the back with stamp (surface wear)

[1]

Vier folio's met afbeeldingen en beschrijvingen van (rol)schilderingen.

[4]

each inlaid with lotus panels, with elephant-head handles

[2]

modelled with birds among floral scrolls, each marked with a character on the base (some minor wear as expected)

[2]

one painted with a lady and four with various overlay decoration, stoppers (small chips)

[5]

carved to both sides with a stylised bat, stopper

[1]

embroidered in coloured silk threads with dragons, phoenixes and flowers above, the hem with lishui stripes (some loose threads and some stains)

[1]

of various shapes and with various applications of lotus, animals and symbols (various damage and wear)

[10]

comprising white plastic ox, a bone ox, a wood head of a pig and soapstone carved pebble (some wear)

[4]

together with a faux-jade fish-shaped pendant

[2]

comprising a spinach bow, a pair of spinach cups, a celadon cup, a snuff bottle and a miniature vajra

[6]

comprising a shagreen spectacle case, a pair of soapstone seals, a seal with lion finial and two carved walnuts (some wear as expected)

[6]

[ds]

depicting punishments (some creases and tears)

[1]

decorated with lotus and leafy scrolls on soft yellow and pink grounds (finial restored)

[1]

the central roundel with ladies and a gentleman in an interior, surrounded by fan-shaped landscape panels, on a pink ground embellished with flowers, gourds, pomegranates and peach (some flaking of the enamels to the rim, some scratches)

[1]

inlaid with mother-of-pearl depicting flower-vases and fruiting vines

[1]

in the shape of an recumbent animal (wear as expected)

[1]

one with relief decoration, the second with inlaid decoration and the last with geometrical decoration in low relief with traces of silver (wear as expected)

[3]

the goddess shown in standing position in flowing robes and holding a fly-whisk, covered in a mottled turquoise glaze (some chips to fingers and whisk)

[1]

modelled realistically with high tails en combs

[2]

Hierbij China, houten krukje

[2]

[2]

with open shelves on varying heights

[1]

met meanderend snijwerk

[1]

[1]

De scrollvormige gestoken en opengewerkte rugleuning, met o.a. vleermuizen, reigers en rivieroevers

[1]

met figuren

[1]

[3]

[1]

met marmeren blad

[1]

met gestoken en opengewerkte kuif. De deurtjes en laden met landschapsvoorstellingen in reliëf. Met ajour zij- en achterpaneeltjes (één def.)

[1]

the red silk embroidered with birds and butterflies in a flower garden, framed

[1]

carved in mirror image, each wearing long robes (splits, yellowing and wear as expected)

[2]

moulded with overlapping lotus leaves, supporting lotus flowers and a bug, painted in soft blue, green, yellow and aubergine tones (flake to base)

[1]

carved in low relief with bamboo and prunus in a mountainous landscape, metal stopper, the stone of a pale and soft green tone (natural vein, minute nick to mouth rim)

[1]

of moon shape and painted in yellow, green and red enamels with a five-clawed dragon on one side and a phoenix on the other, the base with an apocryphal Ming six-character mark, stopper

[1]

one carved in relief with two fish, one painted with figures in a landscape, signed and inscribed, one painted with boy on buffalo, signed and inscribed, two stoppers (minor nicks)

[3]

one in red clay and moulded in relief with a flower-head, the other in yellow clay and applied with vine leaves (the first with handle reglued, the other with restored spout)

[2]

of various stylised shapes and of cream, grey and celadon tone

[3]

of orange and blue silk, the lower section embroidered with flowers (faded, wear, tears and loose threads)

[1]

embroidered with dragons and buddhist symbols, the hem with jifu stripes (damaged and worn)

[1]