the rectangular tray with blue and white porcelain bowl, hi-ire and a bamboo ash-container, haifuki with black lacquer cover

[3]

with a cream crackle-glazed earthenware bowl, ho-ire and a bamboo ash-container, haifuki, with wooden cover, the haifuki signed with three characters

[3]

the semi-circular box with gilt-metal and copper inlays of a flower-basket, birds and flowers (minor wear)

[1]

met drie koperen reservoirs en drie laden

[1]

one with implements

[5]

brass openworked brazier supporting an iron kettle, in original wood box

[1]

each painted with chrysanthemum on a fenced terrace, the covers wotj cockerel finials (minor frits and nicks)

[2]

mark to base

[1]

carved in standing position holding a pearl and a dragon coiled around him, signed jigaku (some wear)

[1]

standing above the waves, a basket by his side (attributes missing)

inlaid in mother-of-pearl with landscapes and flowers, the interior fitted with two boxes and covers with mother-of-pearl handles

[1]

painted with an equestrian hunting party below cherry blossoms and pine-trees, inscribed and with seal-mark

[1]

each decorated with phoenixes in flight above moulded geometrical panels

[2]

of chrysanthemum shape and painted with panels od bird, scrolls and flowers surrounding a flower-vase

[1]

painted with figural panels, with six-character marks (one cover reglued)

[14]

painted with landscapes and flower-vases

[1]

with ribbed sides and decorated with panels enclosing flowers and geometrical patterns, with roundels of phoenixes and dragons, the interior with a phoenix, the base with apocryphal Chenghua mark (some wear)

[3]

one decorated with fan-shaped panels of black ships, the other with panels of black ships and Dutchmen encircling a dragon roundel

[2]

of irregular rectangular form with two asymmetrical openings at the top, with original wood box

[1]

of elongated even shape, with original wood box

[1]

signed on the belly (signature unknown)

[1]

modelled in V shape, with original wood box

[1]

with chestnut brown patina, with original wood box

[1]

of cylindrical shape with one horizontal rib, the base marked

[1]

painted with panels of birds encircling a central floral roundel, the base signed with a single character

[1]

painted with Dutchmen and black ships surrounding a medallion enclosing another black ship, the base with apocryphal Chinese Chenghua mark

[1]

painted with a flower-filled jardinière

[1]

one pair and four different plates, each painted with floral patterns

[6]

with relief lotus decoration, with Japanese gold lacquer restoration (kintsugi), together with a rectangular bottle vase with decoration of flowers and bamboo, with original wood box

[2]

covered with a sea-green glaze (some wear)

[1]

one set painted with Black Ships and Dutchmen, the other with panels of figures and flowers (minor wear)

[10]

painted after a design by Dutchman Frederik van Frytom (1632-1702) with figures and a dog with a village and church in the background (two with faint starcracks to base, several small frits and minor chips)

[7]

painted with a flower-garden, the bases with six-character marks, together with a lower cup with similar decoration (one cup with hairline, some small nicks)

[13]

inlaid in coloured enamels and copper wire with a hawk perched in a blossoming prunus, the rim with a composite flower and bird band

[1]

comprising a charger, an oval tray, a rectangular tray and two vases, each with floral decoration

[5]

each decorated with a Dutchman in a garden and a ship to the interior

[5]

painted with floral panels on a gilt and iron-red floral ground

[8]

decorated in the Chinese style with figures and inscriptions from the book of the Peerless Heroes, the bases with six-character marks (some minor frits)

[17]

each painted with Dutchmen and black ships on a diaper floral ground, comprising seven saucers in various sizes and a cup and saucer (some wear)

[9]

each painted with Dutchmen and black ships, comprising two dishes, a saucer and a bowl and cover (some wear)

[4]

painted with lakeside pavilions before mount Fuji, signed

[1]

each painted with chrysanthemum (one with reglued chip, the other with rim chip)

[2]

each painted with fans and scrolls and the bases with eight-character marks

[33]

on high foot and modelled as a gingko leaf (some firing cracks to the rim)

[1]

in seated position and wearing wide billowing robe, the head detachable (grazed chip to collor, some minor chips and wear)

[1]

each decorated with pink panels enclosing a dragon and a phoenix on a midnight blue ground (one with loss of enamel to the shoulder)

[2]

moulded with stylised leaves and decorated with cranes

[1]

comprising a pair of hexagonal vases, a small rectangular vase and a saucer, the vases painted with figures and the saucer with Buddha and followers

[4]