comprising a baluster silver-mounted vase painted with a riverscape (dent causing hairlines, cover dented), a bowl and cover painted with figures and horses (cover broken into several pieces and reglued) and a small vase painted with archaistic dragon symbols

[3]

comprising a pair of cups and saucers, a cup and saucer and a pair of saucers, each with Meissen-style figural decoration (some wear)

[8]

each painted with a dove perched on a branch in a garden landscape with butterfly (one saucer with a hairline)

[4]

painted with roses and floral panels, the rim with a moulded floral design (hairlines and minor rim frits)

[4]

painted with the scene of Jesus being baptised by John in the river Jordan, the border with a griffin and putti between fruit and flower festoons and the inscription 'Mat. 3.16' below (one with hairline star crack to base)

[4]

comprising two various iron-red and gilt vases, a blue and white vase with silver foot, a black-glazed vase and a small green and ochre glazed parrot (some wear)

[5]

the exterior modelled with flower-heads and the interior painted with various flowers (the rim with some gilt retouchings

[1]

the milk-jug painted with flowers (handle broken and reglued), one plate with a pair of deer and one plate with chrysanthemum (hairline)

[3]

painted with Immortals and landcape cartouches (one with a hairline)

[2]

with decor of a landscape and silver mounting. (flask with damage)

[1]

with decor of ladies in a garden, on the inside a seated scribent. (rim chips)

[1]

with fifty-nine drawers

[1]

[1]

[1]

with extension, two drawers and two doors, the doors each with a panel enclosing a flowering branch

[1]

of coral and hardstone green tone, with green knotted cord suspending two pink tassels

[1]

of pale, grey, lavender and apple-green tone

[1]

with seal mark Wu Kai Tao and and antique poem, in box, with wooden base (bijgebracht 20-8)

[1]

modelled in Ming style on three feet, with two upright handles, the base cast with a Ming mark in a recessed rectangle

[1]

carved with buddhist lions on top and with miniature text by Wu Kai Tao, text regarding congratulations for 100 year, in box with wooden stand

[1]

in seated position wearing long robe (tiny damages to fingers)

[1]

decorated with a peacock and peahens and various other birds in a garden with prunus, peony, bamboo and chrysanthemum, the rim with flowers on a blue ground and the reverse of an apple-green tone (some areas od crackled enamels and the rim with some retouches and discoloured repairs)

[1]

depicting a lady seating in a tea-house, with seal

[1]

Xue Liqi was a philosopher and scholar from the Song dynasty (stain to paper)

[1]

depicting elegant court ladies in a garden

[1]

embroidered in coloured silk and gold thread with two dragons chasing the flying pearl

[1]

the top inlaid in mother-of-pearl with various flowers, the lower bar with date and house mark (some wear)

[1]

[2]

[1]

depicting a vase with flowers, a white rabbit and a miniature garden

[1]

carved with the figures of Confucius and Laozi and with a calligraphy (some natural wear)

[1]

decorated with figures laid in with soapstone in various colors (some soapstone parts missing)

[3]

four with modelled prunus branches, one modelled with a bat, four of square and one of compresses shape (some damages)

[10]

of pale brown tone, the body modelled with four lion-head lug handles and the cover with a buddhist lion, the body incised with a spray of bamboo and a calligraphy to the other side, the cover with four characters, the interior covered with a crackled white glaze and the base moulded with a seal

[1]

carved in relief with two dragons emerging from fish-filled foaming waves, the interior glazed, the base cast with an apocryphal mark for Chen Guozhi

[1]

inlaid with stylised lotus pattern and elephants, the handles modelled as elephant-heads (some wear as expected)

[2]

with a band of lotus cloisonné and applied with chilong handles, the openworked cover with buddhist lion finial

[1]

the god of exams is standing with a pencil and ink-pot on a dragon-fish mythological animal, the stand incised with an apocryphal Chenghua mark

[1]

shown seated in lalitasana on an elephant on a double lotus throne, wearing jewellery and crown (damages and losses)

[1]

raised on three feet and cast with two upright handles to the rounded body, covered with a brown patina

[1]

each standing on square plinth and with fierce expression, wearing armour and billowing shawls, traces of gilt (small damages, one panel of display case damaged)

[2]

each moulded in standing position wearing long dresses, the smaller figures with detachable heads and the larger figure with head broken

[3]

each with painted facial features and hair

[2]

with traces of red pigment

[1]

in standing position wearing long-sleeved robe, lips and eyes accentuated in black and red pigments (drill-hole to back but no TL-test available, wear as expected)

[1]

with traces of pigment

modelled as a gourd lying on its side and with trailing vine growing over its body and cover, the spout with apocryphal stamp of Mengchen, the cover with two modern marks

[1]

of pumpkin shape and with trailing vine, the base and interior cover with the mark of Fan Xiuqin

[1]