one of peach-shape, one of compressed pumpkin shape and one with enamel interior and the finial shaped as an animal

[3]

one of square shape and the others rounded, three with incised decoration or inscription and the other with dragon-head finial

[4]

comprising three small teapots and covers, a pair of inscribed cups and a set of four cups and saucers

[13]

one of grey clay and enameled with cranes, one shaped as a monkey and one with side-handle, together with a loose cover

[4]

of various sizes, variously carved with flowers, birds and figures

[ds]

each decorated with pomegranates, one on a green and one on a yellow ground (both with damaged)

[2]

one shaped as an ear of corn, one as a lotus and one as a squirrel perched on a tree-trunk (some old minor frits and wear)

[3]

the drunken poet reclining over his wine sack, the interior with Shiwan stamp

[1]

one a brushrest carved with trailing vine, and two various vases

[3]

eight volumes on porcelain and works of art, six in dust jacket

[8]

five volumes on paintings and one on scientific and technical instruments, all in dust jackets

[6]

comprising a metal-mounted jade bootle, a red overlay glass one, an agathe bottle carved with horse and a blue-glazed porcelain bottle moulded in relief with dragons (some small damages and wear)

[4]

three-tiered and decorated with a Shou-symbol surrounded by fish, bats and lotus scroll (small damages and wear as expected)

[1]

decorated with lotus and cartouches of prunus, fruits and peony (small chips to rims and minor wear as may be expected)

[1]

of rounded shape with upturned rim and two moulded mask handles, the base cast with an apocryphal Xuande mark in a recessed base

[1]

of hexagonal shape and decorated with panels of prunus, chrysanthemum, peony, iris and lilies, the base with a lotus mark (some dents and wear as may be expected)

[1]

each engraved on the cover with a boy on a qilin (small dents and wear)

[2]

carved as a bat and lingzhi fungus on a gnarled tree trunk with fruit growing on its side, the stone of a pale red tone suffused with gray areas (one fruit chipped, small chip to foot)

[1]

the elegant lady and gentleman in standing position and wearing long robes, of a translucent deep red tone (chip tp sleeve)

[1]

carved as a lotus pod, the sides with cranes and lotus in relief (finial damaged)

[1]

raised on a cylindrical foot, the handles formed as dragon-heads, the stone of a pale sea-green tone with dark grey speckles

[1]

of square section and modelled after an archaic example, with four flanges below two mask handles, the body incised with geometrical motifs (dent to one side, encrustation)

[1]

the stone of a mottled brown tone (chip to rim)

[1]

the boy shown riding the back of a large dragon/ carp fish, the stone of a pale celadon tone with brown inclusions and altered area to the reverse, mounted on a wood base (tail and wing of fish chipped)

[1]

cast seated on a lotus throne, hands holding lotus stems and wearing jewellery and ornate headdress (minor wear as may be expected)

[1]

carved in standing position wearing a long robe and holding a ruyi-sceptre in her hand, her hair styled in a high topknot

[1]

one carved as a fisherman with a fish, the other probably the figure of Tao Yuanming holding a spray of peach (minor wear)

[2]

one of a gentleman seated before a desk, the other of a lady wearing elaborate jewelry and headdress, framed behind glass (water damage to the lower sides)

[2]

embroidered with ladies in a fenced garden, various flowers and symbols, in perspex stand

[1]

carved with flower sprays rising up to its side (small chips)

[1]

with two doors each painted in gilt with a dignitary, opening to reveal an interior finely painted with a screen depicting a pavilion in a riverscape above various censers (the doors slightly damaged)

[1]

fitted with shelves at various heights, with hinged door

[1]

with marble seat and backrest, decorated with mother-of-pearl floral inlays

[1]

[1]

shown seated on a mythological animal, the figure possibly the demon-slayer Zhong Kui

[1]

carved in high relief with a kingfisher and a crane beside large lotus blooms

[1]

comprising the character 'Xi' for double luck, complete with ceremonial candles

[2]

moulded with an inscription referring to two donors, Liang Jin and Liang Yin, and dated to the seventh year of the Qianlong reign, on later stand

[1]

the flattened vessel moulded to the exterior with a pattern of stylised dragons, on later wood stand

[1]

the lower part a bulbous water reservoir, the steamer openworked, the exterior incised with stylised dragons, both parts with loose ring handles, on later wood stand

[1]

of rectangular shape and with loose cover, covered in an apple-green glaze and the lock in ochre

[1]

comprising a courtier and his wife, seven servants, a palanquin and a horse (condition upon request)

[11]

modelled with two loop handles and painted with roundels enclosing dots

[1]

modelled with two loop handles and painted with triangular design

[1]

modelled with flared rim and two loop handles (wear and small damages as expected)

[1]

modelled with flared rim and two loop handles (wear and small damages as expected)

[1]

one a black burnished jar, one a black burnished tripod censer and one a red pottery impressed jar (wear and small damages as expected)

[3]

modelled with four loop handles and decorated with black triangular decoration (wear and small damages as expected)

[1]