carved with serene expression, smiling lips and downcast eyes, the hair, eyebrows and eyes picked out with black enamels (some damage to upper lip and nose area and above eye, chip to ear and grazed chip to back of head)

[1]

seated in vajrasana on on openworked plinth, his hands in vajramudra and wearing long robes, jewellery and crown, the front of the plinth with an apocryphal Qianlong mark (loss to crown and ornament to ear, alms bowl missing)

[1]

standing on a lotus and wearing long robes embellished with glass inlays (some wear and damges as may be expected)

[1]

seated in cross-legged position on a stepped plinth, his hands in bhumisparsamudra, wearing ornate dress (small losses and wear)

[1]

the centre with the head of Kirtimukha holding a garland in his mouth above a lotus flower resting in a treasure vase (Kalasha), surrounded by scrolls, lotus flowers and petals inset with coral and turquoise stones

[1]

depicting the elephant god and his consorts

[1]

(some wear)

[1]

seated in lotus-position on a double-lotus throne, the hands in various mudra's, wearing ornate crown and jewelry, a flower rising from one shoulder, the face covered in cold-painted gold, the hair picked out in blue enamels

[1]

one depicting Avalokiteshvara and the other a mandala with a central Buddha

[2]

each standing with one leg on a shell, the female holding a sheaf of grain and a censer, the male a banner and a skull, framed within a flaming halo on a checkered lotus base

[1]

in mirror image, each looking over its shoulder and holding a cintamani (sacred jewel) in its paw

[2]

the ferocious deity standing in pratyalidhasana, his head that of a bull and with flaming hair, a third eye on his forehead, a snake and necklace of severed human heads around his neck and a sword in his hand (chip to hair)

[1]

depicting Buddha and several deities, framed

[1]

depicting a four-armed Avalokiteshvara seated on a lotus-throne surrounded by Tsongkapa's and Bodhisattva's, the lower part with two demons, mounted in brocade set with a Chinese kesi panel of a dragon

[1]

comprising two large dishes with impressed borders and crackled glaze, a pear-shaped bottle with bronze neck and rim, a Cambodian jar and cover and a Chinese Song-period bowl (wear and minor damages as may be expected)

[5]

in seated meditative position

[1]

seated in lalitasana and holding various attributes in her four arms. (statue surface is cleaned)

[1]

[1]

Showing tiger hunt on elephant in three panels, and a deer outside the frame.

[1]

Revival of Orientalist Mamluk Islamic metalwork from Egypt, Arabic calligraphy and geometric patterns. (bottle vase missing neck)

[2]

of circular shape, with hole to one side. decorated with a mihrab. (restored)

[1]

Some damage to glazing of ceramic

[2]

the rim with arabic calligrafy.

[1]

the upper rim with pierced decorations, including calligraphy, the hammered body with silver inlay

[1]

two with small ears, all with incised horizontal ribs, one with impressed scrolling decoration

[3]

of various shape and variously painted with stylised designs (all broken into several pieces and reglued)

[3]

in the shape of human faces

[2]

[1]

on wood stand

[1]

mounted in a silver medallion

[1]

in standing position wearing long robes, covered with red and gold lacquer (some wear and small damages, creases and small losses), on later wood stand

[1]

with bamboo woven netting (some cracks and minor wear to the lacquer)

[1]

hand hamered, four domed bosses and decorated with intricate hand-chiseled patterns.

[2]

Uitgevoerd met floraal decor en teksten. (hersteld).

[1]

with fiercely outstretched wings, holding a snake and adorned with jewellery, on stand

[1]

shown in unison with his consort and surrounded by Buddha's and various Bodhisattva's and deities

[1]

carved with a seated figure of Buddha

[1]

[1]

Strong turquoise glaze from Islamic period.

[1]

[2]

[2]

the kendi marked 'P.B.X.'

[5]

together with a cream set

[zkj]

partially gilt, alloy 657/000

[1]

the dish Djokja and shaped as a stylised leaf, one crescent-shaped box and a Southeast Asian circular box and cover, dish alloy 653/000, box alloy 581/000, box 853/000,

[3]

alloy 474/000,

[1]

one painted with chrysanthemum and peony and central medallion 'S' for soy, the other with bird roundel flanked by chrysanthemum, with silver-mounted spout (the soy bottle with crack encircling lower part of handle, the other jar with firing crack to mouth)

[2]