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Sluiten
L. 2,5 - 6,5 cm.
All pieces exhibited in Cadier en Keer, Africa Centrum, exhibition: 'Goudwegen', 2002
[16]
showing various animals.
various sizes
[24]
gold weights and other objects.
various sizes
[zkj]
carved by Koulibali Kpur (1920-1982), village Obro in the Pugulu region.
h. 23,5 and 26 cm.
[2]
with articulated facial traits, breasts, arm bracelets and dark patina. Provenance collection Pedro Botelho, Portugal. (damage part of front hairstyle missing)
h. 116 cm.
[1]
Provenance: Private collection Geert van der Zee, Leerdam. Collected in the 1960's-1970's.
[20]
Provenance: Private collection Geert van der Zee, Leerdam. Collected in the 1960's-1970's.
[15]
Provenance: Private collection Geert van der Zee, Leerdam. Collected in the 1960's-1970's.
[5]
Provenance: Private collection Geert van der Zee, Leerdam. Collected in the 1960's-1970's.
[17]
gourd embellished with glass bead strings and plant fibre, anthropomorphic head as stopper.
H. 24 cm.
[1]
with brown grey patina.
h. 102 cm.
[1]
female half-figure, holding her breasts placed on a gourd with three shells.
H. 18 cm.
[1]
the top of horn with braided plant fiber and anthropomorphic head inset with glass bead eyes as stopper.
h. 29 cm. custom made stand
[1]
pierced oval eyes and mouth, pyrographic details
L. 25,5 cm.
[1]
backward curved horns, the grooved pattern in black and white, eyelids and mouth with red pigment.
H. 50 cm.
[1]
male and female pole figure, both standing on a rudimentary carved anthropomorphic figure.
H. 50 and 52,5 cm.
[2]
hands touching the tip of the beard, the back with white dots
h. 82 cm.
Provenance: Michel Overbeeke, Haarlem.
[1]
speakers staff in the shape of a standing man and woman, wearing a dress and shorts, the Shango in the shape of a kneeling woman with elaborate hairstyle (the loop for hanging broken)
h. 33 - w. 20 and h. 32 cm.
[2]
with carved Nommo figures in high relief and a carved head of a horse.
L. 42 cm.
[1]
No. 15/21/22/23/24/35 - 92/97-102
[69]
with inlay glass above the circular eyes, a elongated nose and two metal plates along the nose-ridge and eyebrows. With black and blue pigments. (one side at the back weathered)
L. 48 cm.
[1]
Dogon mask with remnants of white, black and red pigments, Bamana mask with bulbous forehead and black and oker patina.
L. 52 and 55 cm.
[2]
decorated with leather strings with glass beads.
L. 8 cm.
[1]
blackened face with details in white, plant fibre hair dress showing four upturned braids.
H. 37 cm.
[1]
with grey-light brown patina.
L. 31 cm.
Provenance: Galerie Khepri, Amsterdam, 1972.
[1]
pierced oval eyes and mouth, pyrographic details.
L. 25,5 cm.
[1]
standing behind a shield with two poles, the back showing a notched tattoo.
h. 38 cm.
Provenance: Willem Zwiep, Amsterdam and with remnants of an old French collection label at the bottom. Private Dutch collection.
in squatting position on a rectangular base, the sides with floral motifs, the arms crossed resting on the raised knees, wearing a crown with a curvilinear pattern, pending ear-ornaments, the face showing fine details, the back with well carved shoulder blades, sine and bottocks, remains of black pigment.
H. 16,8 cm.
[1]
seated in bersila, holding an offering tray between her hands in her lap, hooped hairdress and two pendant ear-ornaments; the rectangular base showing a scrolling motif along the sides.
H. 14,9 cm.
[1]
standing on a rectangular base, three-pronged crown, the base of the crown with entwined red cloth, head and torso accentuated by black dots. A local restauration on the lower right leg.
H. 34,3 cm.
Provenance: Collected on Nias in 1930 by Rudolph Bonnet(1895-1978) and Jaap Kunst (1891-1960); Collection Baronnes Bonnet - van Verschuer; Her daughter Liesbeth Vlaanderen-Bonnet and family collection van Vlaanderen. The Baronnes was married to Wim Bonnet (- 1933), the brother of the famous Dutch painter Rudolph Bonnet (1895-1978). This statue was acquired in 1930 on the island Nias by Rudolph Bonnet when he travelled to Nias with his friend the renowned Dutch pioneer in ethnomusicology Jaap Kunst (1891-1960). They collected several Nias figures. Later Rudolph Bonnet send his part of the collection to his younger brother Wim Bonnet, who was a practitioner on Java. Wim Bonnet died unexpectatly in 1933 and his wife left for Holland with her children together with the collection of Nias figures of Rudolph Bonnet. During WWII most of the Nias figures were lost, taken by the occupier and never seen again. This Nias figure is one of the four Nias figures we are offering that were were not lost after the War.
[1]
wearing a three-pronged crown, an earring, necklace and an armband to the right, holding a peg or pestle resting on the thighs in both hands, incised details.
H. 29,5 cm.
Acquired on Nias by the artist Rudolf Bonnet (1895-1978) in 1930; given by him to his brother Wim Bonnet (+1933), a physician on Java, the grandfather of the present owner.Provenance: Collected on Nias in 1930 by Rudolph Bonnet(1895-1978) and Jaap Kunst (1891-1960); Collection Baronnes Bonnet - van Verschuer; Her daughter Liesbeth Vlaanderen-Bonnet and family collection van Vlaanderen. The Baronnes was married to Wim Bonnet (- 1933), the brother of the famous Dutch painter Rudolph Bonnet (1895-1978). This statue was acquired in 1930 on the island Nias by Rudolph Bonnet when he travelled to Nias with his friend the renowned Dutch pioneer in ethnomusicology Jaap Kunst (1891-1960). They collected several Nias figures. Later Rudolph Bonnet send his part of the collection to his younger brother Wim Bonnet, who was a practitioner on Java. Wim Bonnet died unexpectatly in 1933 and his wife left for Holland with her children together with the collection of Nias figures of Rudolph Bonnet. During WWII most of the Nias figures were lost, taken by the occupier and never seen again. This Nias figure is one of the four Nias figures we are offering that were were not lost after the War.
[1]
wearing a high conical headdress, ornaments to the neck aright ear, rectangular mouth showing two rows of teeth, holding an unidentified object resting on the thighs in both hands. This figure can be seen on the right on a photograph most probably made by Rudolph Bonnet, on Nias Island or after their return to Java, 1930.
H. 37,5 cm.
Acquired on Nias by the artist Rudolf Bonnet (1895-1978) in 1930; given by him to his brother Wim Bonnet (+1933), a physician on Java, the grandfather of the present owner. Provenance: Collected on Nias in 1930 by Rudolph Bonnet(1895-1978) and Jaap Kunst (1891-1960); Collection Baronnes Bonnet - van Verschuer; Her daughter Liesbeth Vlaanderen-Bonnet and family collection van Vlaanderen. The Baronnes was married to Wim Bonnet (- 1933), the brother of the famous Dutch painter Rudolph Bonnet (1895-1978). This statue was acquired in 1930 on the island Nias by Rudolph Bonnet when he travelled to Nias with his friend the renowned Dutch pioneer in ethnomusicology Jaap Kunst (1891-1960). They collected several Nias figures. Later Rudolph Bonnet send his part of the collection to his younger brother Wim Bonnet, who was a practitioner on Java. Wim Bonnet died unexpectatly in 1933 and his wife left for Holland with her children together with the collection of Nias figures of Rudolph Bonnet. During WWII most of the Nias figures were lost, taken by the occupier and never seen again. This Nias figure is one of the four Nias figures we are offering that were were not lost after the War.
[1]
standing on extended legs, small narrow and rectangular torso, massive extending hands, three-pronged crown (one prong missing)
H. 29,2 cm.
Provenance: Collected on Nias in 1930 by Rudolph Bonnet(1895-1978) and Jaap Kunst (1891-1960); Collection Baronnes Bonnet - van Verschuer; Her daughter Liesbeth Vlaanderen-Bonnet and family collection van Vlaanderen. The Baronnes was married to Wim Bonnet (- 1933), the brother of the famous Dutch painter Rudolph Bonnet (1895-1978). This statue was acquired in 1930 on the island Nias by Rudolph Bonnet when he travelled to Nias with his friend the renowned Dutch pioneer in ethnomusicology Jaap Kunst (1891-1960). They collected several Nias figures. Later Rudolph Bonnet send his part of the collection to his younger brother Wim Bonnet, who was a practitioner on Java. Wim Bonnet died unexpectatly in 1933 and his wife left for Holland with her children together with the collection of Nias figures of Rudolph Bonnet. During WWII most of the Nias figures were lost, taken by the occupier and never seen again. This Nias figure is one of the four Nias figures we are offering that were were not lost after the War.
[1]
hollowed eyes within a concave facial plane, the rectangular torso flanked by bent arms. Weathered wood with a greyish patina all over.
h. 55 cm.
Provenance: Amsterdam private collection.
[1]
the slightly curved pamor iron blade with one groove, hilt and scabbard executed in repousse and incised silver.
L. 66,3 cm.
[1]
male and female figure standing on a flat trapezium base. Details of the male figure extenuated with lime.
H. 42 and 46,5 cm. mounted
Provenance: Fred ten Houten (1916-1995); Museum Gerardus van der Leeuw, Groningen, Holland on long term lone, 1970-1995; Galerie de Ruimte, Eersel. Figures with ten Houten numbers in white; Male figure TH1222. Female figure TH1221.
[2]
h. ca. 52 cm.
[5]
with remnants of white pigments and local restauration of right arm.
h. 58,5 cm. mounted.
[1]
one edged pamor broad blade, silver hilt with floral and geometric patterns, the wooden scabbard with repousse silver mounts and knotted strips.
L. 43 cm.
[1]
separately carved (now missing) arms, the face with an archaic mild expression and circular ears below a circular flat headdress, old blackish soot patina.
H. 42,5 cm., mounted.
[1]
a central vertical ridge with in the centre a rhombic shaped hand protection, decorated with a floral pattern in low relief, reinforcements through rattan strips, along both sides a row of plant fiber border with tufts; remnants of painted geometrical patterns. (cracks and small damage)
h. 151 and w. 22 cm.
[1]
the front showing an incised diamond pattern with traces of lime and red pigments.
L. 77,5 cm.
Provenance: Bought from Boekhandel etno Heykoop, Wereld Museum Rotterdam, ca. 1985
[1]
L. 19 cm.
Provenance: Bernard Brugnier, France. Private Belgium collection.
[1]