the male figure standing on flexed legs, free-cut arms and hands flanking the hips, traces of white and red pigments.

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the stone blade secured by means of braided coir on an extended conical and rectangular carved base.

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wrought iron blade attached to an elaborately decorated handle by means of plant fibre and terminating in an aso head.

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standing and with shortened arms, dressed with necklace, ear-ornament and a flat crown with a curved central projection.

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with deep cut ridges, not blackened, only the navel-like central ornaments are black.

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the lower part with bas relief decoration of zigzags and stripes.

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one with a bird's head, the other conically shaped.

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The flat top with two protrusions.

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topped by a three-pronged crown, holding attributes in his hands.

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between handle and blad a finely carved ornament, deer antler finial.

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with two squatting figures attached to the outside and a squatting figure on top of the lid, inserted metal eyes.

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the hands resting on the knees, the headdress shows a crown-like ornament, at the back the head a long tail, dry and weathered surface.

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showing a kayak covered in animal skin, several accessories on top and in the centre a figure clad in animal skin.

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the squatting figure with hands supporting the jutting chin, a piece of red cloth between arms and legs.

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free-carved arms, hands touching the torso, a shell pectoral attached to the neck. Based on the wear and tear that has occured over time we can conclude this figure must have been made somewhere at the end of the 19th century. This statue was bought from Mathias Lemaire in 1976. Unfortunatly we were unable to find where the seller obtained this statue.

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of coiled plant fibre, traces of red and blue pigments, used in the Rimbu Indah ceremony.

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the handle carved as a standing male figure, arms crossed before the torso. On the reverse an inv. nr in white TH 816.

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topped by an anthropomorphic head with jutting ears.

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two squatting caryatids on a circular base, notched details show traces of lime; inside the bowl an indented illegible label.

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the exterior shows a chequer pattern on one side and characters on the other with lines in between.

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the handle terminating in a zoomorphic head.

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the eyes with haliotis shell inlay.

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made of wood, shell and plant fibre.

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with eight stylized anthropomorphic figures (some not carved out in detail) and flat blade.

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The winged structure topped by a female bust.

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one with a notched lime-filled pattern, the other head with projections, shortened.

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helmet shaped coiled plant fibre with attached ears and mouth.

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at the back between head and shoulders a suspension hole.

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the contoured oval shape repousse decoration of symbols and flowering branches.

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with a design of triangles filled with lime; herewith a small club.

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details painted in black.

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with a design in red on a white ground, showing a.o. praying mantis and abstracted anthropomorphs , plant fibre tassels.

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showing two rows of zodiac figures, a raised star-shaped motif in the bottom.

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one made of bailer shell with a dotted pattern along the upper part; the other being a moka kina.

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one in the shape of a full bird, one shaped as a bird's head and one showing a small bird's head surrounded by an open-worked pattern, all with original pigments.

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the open-worked panel with a delicate pattern, the tip mounted with a cassowary toe; herewith a probably fish spear.

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reinforced with braided plant fibre bands, wooden hairpin hook.

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showing various aso motifs in yellow and white, triangular border.

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with a fifteen-luk curved pamor blade, gandik shaped as a squatting figure wearing a hat. Sogokan, sorsoran with greneng, brass hilt shaped as a wayang figure. Mendak with native diamands, inten.

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with pamor blades, and repousse silver hilts, with hammered silvered sheaths.

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one with akar bahar hilt (broken). Both with gold tampo and enamel.

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fifteen luk wrought iron old blade, loose curved ganja, gandik telale gajah, marine ivory finely engraved jawa demam hilt, gandar.

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