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Sluiten
with characteristic pointy nose and small protruding mouth. With written numbers in chalk on the reverse and writing. For masks of the same age and probably the same carver see: 'Die Kunst der Guro Elfenbeinkuste', Museum Rietberg Zurich, Fischer and Homberger, 1985, page 82 and 83, figures 2-5. Mask no. 5 also has a washed surface. These masks are in the collection of Basel, ex. Sammlung Himmelheber and other collections. Collection of John Rädecker (1885-1956), the Dutch sculptor who designed the sculpture for the Dutch WW2 monument on the Dam Square, Amsterdam. He was a friend of Carel van Lier and could have bought from or traded Tribal Art objects with him.
h. 27 cm.
[1]
With fine face, scarifications on face and back and with large pendulous breasts. The pigments of chalk and remnants of tukula and red pigments. With old laber at the weathered base. Provenance, private collection from Mrs. A. van den Bergh-Schoten, Brussels. She was a personal friend of Marie Louise Bastin from whom she received this Baule female figure in the early 1960's and family collection.
h. 47,5 cm.
[1]
with elaborate hairstyle in six braids and painted in black.
[1]
pierced through circulair eyes and mouth, double pair of eyes below notched arched brows, topped by a pair of horns. With thick brownish black to grey patina and a mustache of animal hair, the reverse with a thick blackened patina. Old private German collection.
h. 27,8 cm.
[1]
the mask with a vertical rectangular plane topped with an anthropomorphic-animal head with half circulair eyes and raised brow and nose. Weathered black patina and with traces of red and white pigments. Old German private collection 1960's.
h. 30,1 cm.
[1]
with upright nose, large painted cotton head dress with two conical projections. With painted patterns in blue, red, white, black and orangs. With large raffia hair.
L. 44 and 24,5 (mask and grip) cm.
[1]
carved as a stylized snake with alternating polychrome surface decoration with engraved patterns. At the top on both sides two copper disks. German collection, 1960's.
h. 121,5 cm.
[1]
with grey-brown patina. Private collection Amsterdam.
h. 54 cm.
[1]
with flattened disc shaped ears, pierced nose and topped by a hair crest.
h. 61,5 cm.
Provenance: private Dutch collection, collected early 1970's, bought in Brussels and Paris from dealers.
[1]
with a articulated carved face surmounted by a mamal. Face painted in white with accents in blue, with raffia hair. Private Amsterdam collection, collected in the late '60's.
h. 30 cm.
two with cotton fiber caps and all three with rows of plant fiber twisted strands. (two figures with restraurations).
w. 23,5 / 28 and 29 cm.
Provenance: private Dutch collection, collected early 1970's, bought in Brussels and Paris from dealers.
[3]
With black patina, the lips with blackened added surface. With remnants of old label on the inside. . Collection of John Rädecker (1885-1956), the Dutch sculptor who designed the sculpture for the Dutch WW2 monument on the Dam Square, Amsterdam. He was a friend of Carel van Lier and could have bought from or traded Tribal Art objects with him.
h. 21,5 cm.
[1]
with deep cut slit eyes and sharply curved mouth.
h. 21,5 cm.
[1]
with on one side carved geometrical patterns. On a metal stand.
h. 78 cm.
[1]
with geometrical pattern in red, white and blue colored beads.
h. 93 cm.
with conical protruding eyes, large forehead and nose. Painted in black and white with the face in bright orange.
h. 29 cm.
[1]
the upper part with slightly bent arms flanking a engraved star shaped pattern. The sperical head with comma shaped ears, drilled eyes and with a crest on top..
h. 97 cm.
Provenance: private Dutch collection, collected early 1970's, bought in Brussels and Paris from dealers.
with hands on chest, upright nose, hair style in three comb and layers of offering. Ex lot Christies Paris, 11 december 2007, lot 260. Private collection Amsterdam.
h. 84 cm.
[1]
wearing a colonial round hat, with wooden teeth and with white painted pigments and with accents in black.
h. 22 cm.
[1]
with painted patterns in black, red and white and with metal peg.
h. 53 cm.
[1]
A musical instrument in the form of an abstract anthropomorphic standing figure.
h. 85 cm.
Provenance: private Dutch collection, collected early 1970's, bought in Brussels and Paris from dealers.
[1]
with a pair of large breasts and two carved feet. On a metal stand.
h. 128 cm.
Provenance: private Dutch collection, collected early 1970's, bought in Brussels and Paris from dealers.
[1]
the male with prominent sex, the female touching the breast. With glossy patina.
h. 18,4 and 17,7 cm.
[2]
the staff figure dressed in a skirt and a bendeleer.
h. 23 and 23,5 cm.
[2]
rectangular eyes and mouth and details in red, white and black pigments.
h. 32 cm.
[1]
with a steep crest in the centre and with an leather grip at the back. With black to brown patina. Provenance, Loed van Bussel en Els Verhey Amsterdam and private Amsterdam collection.
diam. 74 cm.
[1]
small woven strips sewn together, fringes
[1]
with long legs and layers with encrusted patina. Provenance: Collectie Otto Schaap
h. 50 cm.
[1]
with carved lines and holes in the upper part of the mask. WIth black and white patina.
h. 25 cm.
[1]
with a hole in the head with fetish material and a woven plant fiber net. Ex collectie Lungberg, Sweden.
h. 31 cm.
[1]
in the shape of an antilope with horns carved in an circle. With red, black and white pigments.
l. 65 cm.
[1]
robust expressively carved ancestral female figure on a pole. With layers of encrusted patina. Ex collection Rob Kok, Amsterdam Tribal Art collector and dealer.
h. 108 cm.
[1]
of plantfiber and wood, polychrome colours.
h. ca. 50 cm.
Provenance: private Dutch collection, collected early 1970's, bought in Brussels and Paris from dealers.
[1]
with geometrical patterns and eight points in relief. Provenance, Kunstzaal van Lier, Amsterdam, with sticker with number 606 and part of another sticker with writing. (damaged)
h. 25 cm.
Collection of Fred Carasso (1899-1969) an Italian born famous Dutch sculptor and collector of fine Arts, and family collection.
[1]
with typical headdresses, bears the Akinyode mark. One with a restored base. Provenance Ursula Voorhuis, St. Agatha
h. ca. 24,5 cm.
[3]
wearing a triangular amulet, beaded ornaments, copper anklets, glossy brown patina. Provenance Ursula Voorhuis, St. Agatha
h. 26 and 26,5 cm.
[2]
and two other from this area. Provenance Ursula Voorhuis, St. Agatha
h. 23 and 26 cm.
[3]
male and female, wearing beaded ornaments, three triangular marks. Publ: Hans Witte (1998) 'Kunst en kunstenaars uit Abeokuta', in nieuwsbrief VVE nr. 63, p. 44, afb. 10.Provenance Ursula Voorhuis, St. Agatha
h. 24,5 and 25,5 cm.
[2]
Provenance Ursula Voorhuis, St. Agatha
h. 25 and 24,5 cm.
[2]
herewith an other small male ibeji. Provenance Ursula Voorhuis, St. Agatha
h. 32 and 23 cm.
[2]
Provenance Ursula Voorhuis, St. Agatha
h. 28 cm.
[1]
Provenance Ursula Voorhuis, St. Agatha
h. 24,5 cm.
[1]
and two Igboglia male twin figures
h. ca. 24 and 20,5 cm. resp.
[4]
typical headdress with a fee cut tress the back, glossy patina. Provenance Ursula Voorhuis, St. Agatha
h. 24 cm.
[1]
and two ibeji from the same area, male and female, beaded ornaments. Provenance Ursula Voorhuis, St. Agatha
h. 28 and 25,5 cm.
[3]
a male and two females, glossy patina. Provenance Ursula Voorhuis, St. Agatha.
h. 27,5 and 24,5 cm.
[4]
a male and a female, in a compact style. Provenance Ursula Voorhuis, St. Agatha
h. 23 and 22 cm.
[3]
reddish patina, metal eyes. Provenance Ursula Voorhuis, St. Agatha
h. 25 cm.
[3]
and two Oyo, Ilobu, female twin figures. Provenance Ursula Voorhuis, St. Agatha
h. 26,5 and 30,5 cm.
[4]
and an Igbomina, Abba Magba, male twin fiugre, the ears above the neck. Ref: for the first item, same workshop as Ibeji in Africa, Museum Berg en Dal, The Netherlands. Provenance Ursula Voorhuis, St. Agatha
h. 25,5 and 28,3 cm.
[2]
and a male twin figure from the same area. Provenance Ursula Voorhuis, St. Agatha
h. 31 and 30 cm.
[3]
with pointed headdress and one in red colour. Provenance Ursula Voorhuis, St. Agatha
h. 21,3 and 26,8 cm.
[3]
Provenance Ursula Voorhuis, St. Agatha
h. 26,5 and 20 cm.
[2]
Provenance Ursula Voorhuis, St. Agatha
h. 27 and 24 cm.
[2]
Publ: Hans Witte (2005) 'Kunst uit het gebied rond Oro in Igbomina' in nieuwsbrief VVE 90, p. 24, ill 10. Provenance Ursula Voorhuis, St. Agatha
h. 55 cm.
[1]
Provenance Ursula Voorhuis, St. Agatha
h. 29 cm.
[1]