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the hollowed almond shaped face in red, white and black pigments. Along the periphery on both sides four holes. These masks are attached to voice-modifying bamboos in use during male initiation rites and deaths of adult males and females. The present item shows a channeled reverse for adjustment to the bamboo tube. Ref.: Smidt, Dirk 2007, 'Mro-fi: The Rao Spirit Mask and its voice as the Essence of Life, Middle Ramu, Papua New Guinea'' in Stevenson & Lee Webb: Re-presenting Pacific Art, pp. 121-160
L. 58 cm.
Provenance: Old Dutch collection. Unkown provenance, possibly M.L. Lemaire, early 1970's, where he was known to purchace objects.
[1]
With black, red and white pigments, remnants of plant fiber tassles and an old collection number 135. drawn at the back of the upper protrution. With a well carved handle at the back.
h. 131 cm.
Provenance: Old Dutch collection. Unkown provenance, possibly M.L. Lemaire, early 1970's, where he was known to purchace objects.
[1]
in the shape of a bird, with deeply carved curved linear patterns carving and star motifs and a small carved cilindrical opening. On the bottom one carved oval shape. With black patina.
39 cm. on custom stand.
Provenance: French collection.
[1]
with an unusual very expressive facial details, showing circular eyes, pierced septum in an articulated nose.
h. 41 cm. On a custom made stand.
Provenance: Galerie Meyer - Oceanic Art, Anthony JP Meyer, Paris. According to Galerie Meyer: The head was waxed by the previous owner who acquired it from Winkler in Holland. Early to mid 20th century, Collected in the field by Mr Winkler on the upper reaches of the Sor River above Yaosokor Village in 1957. Ref.: Konrad, Gunter & Ursula & Schneebaum, Tobias: Asmat, life with the ancestors. Friedhelm Bruckner, Glashutten, 1981.”
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the open worked collomn shaped by two carved birds. The base with deep carved geometrical design and accents in lime.
h. 19 cm.
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along the face a dentated border, carved double spirals on the forehead. With remnants of black and white pigments and a hanging hole at the top.
h. 52,4 cm.
Provenance: Old Dutch collection.
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inlaid eyes with abalone shell. The object was once cut into two sections and has since been carefully rejoined.
L. 186 cm.
Provenance: Fred Smit, Haarlem.
[1]
h. 30 cm.
Provenance: Fred Smit, Haarlem; Michel Thieme, Amsterdam; Bodes en Bode, The Hague
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in crouching position, holding hands below the chin, with traditional red pigments, the drilled ears with feather pendants. The incised lines with traces of white pigments. On the bottom written in yellow NEW GUINEA.
h. 19,5 cm. mounted
Provenance: Ludwig Bretschneider, Munich and Alfons Bermel, Berlijn.
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h. 6,4 - 11,8 cm. four mounted
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mounted by squatting figure and the lower part of the shaft with indented details.
h. 51,5 cm. mounted
[1]
with a fine carved bone hilt, a small knife with horn hilt and the blade with copper inlay.
L. 65 cm.
[1]
the head surmounted by a crown.
h. 60 cm.
Provenance: Fred Smit, Haarlem; J. Camp Associates LTD. New York, 1982. Formerly in the collection of Fred Richman New York
[1]
depicting an anthropmoroph.
L. 37 cm. on custom stand.
[1]
Carved by carver Sopu.
h. 93 cm. mounted
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Provenance: Jac. Hoogerbrugge, ca. 1970 in situ.
surmounted by a squatting figure, the shaft with drilled holes and insiced motifs. Details in white.
h. 56,5 cm. mounted.
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L. 25 and h. 9 cm.
Provenance: Meyer, Paris.
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showing a meandering pattern in blue and white beads. With boarders of orange beads and fringes with alternating orange and blue beads.
w. 49 x 40 cm.
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h. 184 cm. on custom metal stand.
Provenance: private Dutch collection.
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shaped in a conical form, showing a carved fish form on the front. With remnants of pigments.
h. 195 cm.
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showing three anthropomorphic dancing figures with smaller carved faces, plant fiber tassles and tjemen with anthropomorph carved face (restored)
h. 168 cm.
[1]
interesting because of an older type of carving, with traces of white pigments and the reptile skin tymmpanum intact. (handle was larger)
L. 70,5 cm.
Provenance: Collected in situ, 1958-1959 by a Dutch Marine officer.
[1]
with black and white pigments.
h. 28 and d. 30 cm.
Provenance: Jac hoogerbrugge in the 1950’s, field collected. See the drawing by Hoogerbrugge. Hoogerbrugge marked it as a “top piece”. See also the picture of the mask in Hoogerbrugges study (top left). 30 by 26 cm.
the handle with a wing shaped attachement consisting of bone and wooden parts, the upper bone part decorated with finely carved scrolls.
L. 86,5 cm.
Provenance: Old Dutch collection.
[1]
L. 102 cm.
Provenance: Robert Terwindt, Berg en Dal, Holland.
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with four carved geometrical patterns and rattan binding.
L. 62 cm.
[1]
constisting of four element, piled together, the basement, sendi, painted in various pigments, showing various karang motifs. A.o. bhoma and goak. The pilar showing lotus motifs in a siniuos lines and various collors.
h. 166 cm.
[1]
in the shape of a standing Bhima painted red, black and white in traditional pigments.
h. 48 cm.
[1]
Provenance: Hoogerbruggen collected in situ in the 1950's - early 1960's.
h.
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for the God Kumara, the protector of small children. The sides delacitelty carved with floral motifs, the front with two carved female standing figures. The front with a central flower hart, set with blue mica. With gilded lacquer on black and red ground. On the bottom a carved flower hart in red. With four wrought iron suspenstion rings on the seat.
h. 39, w. 31,2 and d. 32,5 cm.
[1]
the diamond shape showing several Chinese figures, birds and flowers, the central circle showing a floral spray.
L. 9,5 cm.
Provenance: Anthon Jan Willem van Hoorn (Koog a/d Zaan, 1861 - Den Haag 1927), he was till 1911 an administrator on a sugar plantation in Sitoebondo (Besoeki) in het voormalige Nederlands-Indië.
[1]
L. 38 and 62 cm.
Provenance: Koos Knol, Wormerveer and Holger Braun, Aschaffenburg, Germany. Collection Jolika, San Fransico. Published: New Guinea Highlands, Art from the Jolika Collection, John Friede, 2017, Fine Arts Museum, San Fransico. Ill. 17.9A and B.
[2]
with distinctive Ok Mountain motif with
L. 137,5 cm.
Provenance: Helmut Gutbrod, Berlin; John Friede, Rey; Published: New Guinea Highlands, Art from the Jolika Collection, John Friede, 2017, Fine Arts Museum, San Fransico, page 529, Fig. 16.28.
[1]
two with open worked upper panels, the largest with copper tags.
L. 40, 36 and 30 cm.
[3]
on one side surmounted by a squatting female anthropomorphic figure, the reverse painted in red, black and white pigments.
L. 88 cm.
[1]
made from wicker, clay, feathers, shells;
L. 70 cm. on custom metal stand.
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h. 87,5 and 84 cm. on metal base
[2]
metal strips, ceremuk, various applications and beaded strings.
[3]
with loose deer horn horns.
Provenance: Ursula Voorhuis, Sint. Agatha, Holland.
[1]
cylindrical with embossed ribs and raised central ridge.
H. 18,5 cm.
Provenance: Lempertz, Brussels 27-1-2020 lot 208
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An old figure with a restored facial plane.
h. 17,5 cm.
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two wooden one showing a fat anthropomorphic figure surmounted by a reptile crawling from its back, bone inlay, metal collar, the other represents a squatting male figure and a buffalo horn carving of a seated female holding a child in front
, H. 11,5; 13 and 10,7 cm.
[3]
with a finely carved rendition of Hanuman in wayang-style; herewith a wooden handle representing a priest, pedanda.
H. 14,2 and 13,5 cm.
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