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Sluiten
standing behind a shield with two poles, the back showing a notched tattoo.
h. 38 cm.
Provenance: Willem Zwiep, Amsterdam and with remnants of an old French collection label at the bottom. Private Dutch collection.
in squatting position on a rectangular base, the sides with floral motifs, the arms crossed resting on the raised knees, wearing a crown with a curvilinear pattern, pending ear-ornaments, the face showing fine details, the back with well carved shoulder blades, sine and bottocks, remains of black pigment.
H. 16,8 cm.
[1]
seated in bersila, holding an offering tray between her hands in her lap, hooped hairdress and two pendant ear-ornaments; the rectangular base showing a scrolling motif along the sides.
H. 14,9 cm.
[1]
standing on a rectangular base, three-pronged crown, the base of the crown with entwined red cloth, head and torso accentuated by black dots. A local restauration on the lower right leg.
H. 34,3 cm.
Provenance: Collected on Nias in 1930 by Rudolph Bonnet(1895-1978) and Jaap Kunst (1891-1960); Collection Baronnes Bonnet - van Verschuer; Her daughter Liesbeth Vlaanderen-Bonnet and family collection van Vlaanderen. The Baronnes was married to Wim Bonnet (- 1933), the brother of the famous Dutch painter Rudolph Bonnet (1895-1978). This statue was acquired in 1930 on the island Nias by Rudolph Bonnet when he travelled to Nias with his friend the renowned Dutch pioneer in ethnomusicology Jaap Kunst (1891-1960). They collected several Nias figures. Later Rudolph Bonnet send his part of the collection to his younger brother Wim Bonnet, who was a practitioner on Java. Wim Bonnet died unexpectatly in 1933 and his wife left for Holland with her children together with the collection of Nias figures of Rudolph Bonnet. During WWII most of the Nias figures were lost, taken by the occupier and never seen again. This Nias figure is one of the four Nias figures we are offering that were were not lost after the War.
[1]
wearing a three-pronged crown, an earring, necklace and an armband to the right, holding a peg or pestle resting on the thighs in both hands, incised details.
H. 29,5 cm.
Acquired on Nias by the artist Rudolf Bonnet (1895-1978) in 1930; given by him to his brother Wim Bonnet (+1933), a physician on Java, the grandfather of the present owner.Provenance: Collected on Nias in 1930 by Rudolph Bonnet(1895-1978) and Jaap Kunst (1891-1960); Collection Baronnes Bonnet - van Verschuer; Her daughter Liesbeth Vlaanderen-Bonnet and family collection van Vlaanderen. The Baronnes was married to Wim Bonnet (- 1933), the brother of the famous Dutch painter Rudolph Bonnet (1895-1978). This statue was acquired in 1930 on the island Nias by Rudolph Bonnet when he travelled to Nias with his friend the renowned Dutch pioneer in ethnomusicology Jaap Kunst (1891-1960). They collected several Nias figures. Later Rudolph Bonnet send his part of the collection to his younger brother Wim Bonnet, who was a practitioner on Java. Wim Bonnet died unexpectatly in 1933 and his wife left for Holland with her children together with the collection of Nias figures of Rudolph Bonnet. During WWII most of the Nias figures were lost, taken by the occupier and never seen again. This Nias figure is one of the four Nias figures we are offering that were were not lost after the War.
[1]
wearing a high conical headdress, ornaments to the neck aright ear, rectangular mouth showing two rows of teeth, holding an unidentified object resting on the thighs in both hands. This figure can be seen on the right on a photograph most probably made by Rudolph Bonnet, on Nias Island or after their return to Java, 1930.
H. 37,5 cm.
Acquired on Nias by the artist Rudolf Bonnet (1895-1978) in 1930; given by him to his brother Wim Bonnet (+1933), a physician on Java, the grandfather of the present owner. Provenance: Collected on Nias in 1930 by Rudolph Bonnet(1895-1978) and Jaap Kunst (1891-1960); Collection Baronnes Bonnet - van Verschuer; Her daughter Liesbeth Vlaanderen-Bonnet and family collection van Vlaanderen. The Baronnes was married to Wim Bonnet (- 1933), the brother of the famous Dutch painter Rudolph Bonnet (1895-1978). This statue was acquired in 1930 on the island Nias by Rudolph Bonnet when he travelled to Nias with his friend the renowned Dutch pioneer in ethnomusicology Jaap Kunst (1891-1960). They collected several Nias figures. Later Rudolph Bonnet send his part of the collection to his younger brother Wim Bonnet, who was a practitioner on Java. Wim Bonnet died unexpectatly in 1933 and his wife left for Holland with her children together with the collection of Nias figures of Rudolph Bonnet. During WWII most of the Nias figures were lost, taken by the occupier and never seen again. This Nias figure is one of the four Nias figures we are offering that were were not lost after the War.
[1]
standing on extended legs, small narrow and rectangular torso, massive extending hands, three-pronged crown (one prong missing)
H. 29,2 cm.
Provenance: Collected on Nias in 1930 by Rudolph Bonnet(1895-1978) and Jaap Kunst (1891-1960); Collection Baronnes Bonnet - van Verschuer; Her daughter Liesbeth Vlaanderen-Bonnet and family collection van Vlaanderen. The Baronnes was married to Wim Bonnet (- 1933), the brother of the famous Dutch painter Rudolph Bonnet (1895-1978). This statue was acquired in 1930 on the island Nias by Rudolph Bonnet when he travelled to Nias with his friend the renowned Dutch pioneer in ethnomusicology Jaap Kunst (1891-1960). They collected several Nias figures. Later Rudolph Bonnet send his part of the collection to his younger brother Wim Bonnet, who was a practitioner on Java. Wim Bonnet died unexpectatly in 1933 and his wife left for Holland with her children together with the collection of Nias figures of Rudolph Bonnet. During WWII most of the Nias figures were lost, taken by the occupier and never seen again. This Nias figure is one of the four Nias figures we are offering that were were not lost after the War.
[1]
hollowed eyes within a concave facial plane, the rectangular torso flanked by bent arms. Weathered wood with a greyish patina all over.
h. 55 cm.
Provenance: Amsterdam private collection.
[1]
the slightly curved pamor iron blade with one groove, hilt and scabbard executed in repousse and incised silver.
L. 66,3 cm.
[1]
male and female figure standing on a flat trapezium base. Details of the male figure extenuated with lime.
H. 42 and 46,5 cm. mounted
Provenance: Fred ten Houten (1916-1995); Museum Gerardus van der Leeuw, Groningen, Holland on long term lone, 1970-1995; Galerie de Ruimte, Eersel. Figures with ten Houten numbers in white; Male figure TH1222. Female figure TH1221.
[2]
h. ca. 52 cm.
[5]
with remnants of white pigments and local restauration of right arm.
h. 58,5 cm. mounted.
[1]
one edged pamor broad blade, silver hilt with floral and geometric patterns, the wooden scabbard with repousse silver mounts and knotted strips.
L. 43 cm.
[1]
separately carved (now missing) arms, the face with an archaic mild expression and circular ears below a circular flat headdress, old blackish soot patina.
H. 42,5 cm., mounted.
[1]
a central vertical ridge with in the centre a rhombic shaped hand protection, decorated with a floral pattern in low relief, reinforcements through rattan strips, along both sides a row of plant fiber border with tufts; remnants of painted geometrical patterns. (cracks and small damage)
h. 151 and w. 22 cm.
[1]
the front showing an incised diamond pattern with traces of lime and red pigments.
L. 77,5 cm.
Provenance: Bought from Boekhandel etno Heykoop, Wereld Museum Rotterdam, ca. 1985
[1]
L. 19 cm.
Provenance: Bernard Brugnier, France. Private Belgium collection.
[1]
brass hilt and sheath, hilt in the shape of a squatting figure, and a squatting figure near the sheath's mouth, slightly curved blade.
L. 39,5 cm., mounted
Provenance: Herbert da Silva, The Hague.
[1]
the top figure in a squatting position, arms resting on the knees, hands supporting the head, the back accentuated by four ridges.
L. 50,5 cm. (stand not included)
[1]
decorated with two registers with incised geometric pattern
diam. 26 and H. 12 cm. on custom made stand.
[1]
decorated with a beaded panel showing Aso, shell ornaments and beaded strings with bells. (two beaded strings with bells loose)
h. 32,5 cm.
[1]
topped by a stylised squatting figure on a unusually carved shaft.
H. 40 cm.
[1]
the upper part with lizard carved in relief amidst a geometric and floral pattern.
L. 25 cm., mounted on custom made stand.
[1]
the handle topped by a squatting anthropomorph with arms resting on the knees.
L. 15,8 cm.
[1]
the charm on top of the cylindrical shaft carved as a squatting anthropomorph, the chin supported by two hands, arms resting on the raised knees, in between a piece of cloth, fine usage patina.
H. 51 cm., on custom made stand.
[1]
attached by a red cotton cloth
h. 15 cm.
Provenance: Bernard Brugnier, France. Private Belgium collection.
[1]
the back of the handles shapes as animal heads, usage patina.
L. 16 and 18 cm.
[2]
topped by an squatting anthropomorph, hands supporting the head, on the back of the shaft written in white lacquer ' Iban Dayak'.
H. 51,5 cm., mounted.
[1]
elongated torso on (partly missing) bent legs, (the loose horizontal arms missing), grey-brown weathered patina.
h. 76 cm. mounted.
Private collection Limburg, Holland.
[1]
the back showing crocodiles and anthroporphs in sugkit technique, below a band in tapestry weave.
H. 50 cm.
[1]
the handle carved as an anthropomorphic face, four incised oval anthropomorphic heads below.
W. 12,5 cm, on custom made stand
[1]
with movable metal eyes and tong.
h. 28 cm. mounted
Provenance: Bernard Brugnier, France. Private Belgium collection.
[1]
with a tuft of hair, copper alloy strips and the blade end with decoration.
L. 69,5
Provenance sword: Sotheby’s Amsterdam, Sept. 1987, lot nr.42
[1]
the handle carved as a standing anthropomorph in skirt, the reverse showing a long braided tail.
L. 23,5 cm.
[1]
H. 15 - 20 cm.
[8]
showing a painted pattern of six narrow panels, alternated with a depiction of a farmer with buffalo and plough, in the centre two opposing water buffalos; herewith a a block-printed indigo blue sarita, showing vegetal ornaments, geese, warriors and water buffalos, both with fringes.
L. 575 cm., without fringes.
[2]
with refined features, details in red, black and gold-lacquer on a white ground.
H. 16,5 cm.
[1]
the handle carved as a standing female figure, her right hand touching the crotch, her left the buttocks.
L. 19,4 cm.
[1]
decorated with a meandering floral pattern surrounding the central medallion with a combined diamond and flower pattern.
D. 45,5 cm.
[1]
the exterior showing two horizontal rows with twelve figures in relief., the lower row being zodiac signs.
H. 10,9 cm.
[1]
h. 48,5 and 50 cm. mounted on a metal stand.
Provenance: Piasa Auctions, Paris, 1984. with nr. 18973/
[2]
the wooden knife with bird shaped handle and a collection number 4536 on a small plaster; the arrow container, a bugbug, the lid with tufts of animal hair; the bow, a rourou, made of palmwood with animal tendon. All pieces are in his 1979 exhibition book ' Speelgoed voor de Zielen', with a drawing or a photo.
L. 50/192/95 and diam. 37 cm.
Provenance: Collection of prof. Reimar Schefold, Amsterdam. Exhibited in Volkenkundig Museum Nusantara, Delft, 1979, Speelgoed voor de Zielen. and Museum Rietberg, Zurich. Christie's Amsterdam, june 1989. Knife, lot 177, page 119; Bow, lot 171, page 52; Arrows, lot 113, page 51 and Headdress, lot 178, page 74.
[4]
decorated with mother of pearl and european ceramics. The reverse with an inscription Boeroe and old label reading: 1922.
L. 88 cm.
[1]
Provenance: Private Dutch collection.
topped by an equestrian figure. The upper animal figure decorated with two carved faces.
L. 145,5 cm.
Provenance: Johan Nicolaas Adolf Sauer (born 1881 Soerabaja), private Dutch collection by descent.
[1]
both ends open worked showing stylised anthropomorphic figures and on the reverse both ends of a carved pattern and traces of white and red pigments.
L. 74 cm.
Provenance: Jac. Hoogerbrugge, Capelle a/d IJsel; Michel Thieme, Amsterdam.
[1]
free carved arms, hands touching the hips, on the reverse of the head a carved head of a reptile. With traces of black, white and red pigments.
h. 56,5 cm.
Provenance: Ex collection Ton Letwory, Arnhem and Private Dutch Collection.
[1]
with elongated oval eyes, mouth with protruding tong. Details eventuated with white red and black pigments.
H. 74,5 cm.
Provenance: Ex collection Ton Letwory, Arnhem and Private Dutch Collection.
[1]