It's wings set with small rose-cut diamonds, it's body set with a round faceted emerald and an oval faceted blue sapphire (approx. 6 x 4 mm) and it's eyes set with a small round faceted ruby. In an antique cardboard box with an angel

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Pavé set with small rose-cut diamonds with eyes of rose-cut garnet. Below it's beak, a bail and screw mounting

[1]

Set with small split pearl. With in the centre of the arrow a beetle with a malachite body and garnet eyes. It's wings set with small split pearls. Maker's mark Jan Baptist Bertina, Amsterdam, 1835-1967

[1]

with a bracelet set with cabochon cut blue glass. The hand holding a shackle with heart-shaped charms of blue, yellow and purple glass and a lucky horn

[1]

The top part consists of an openwork arc-shaped spray of flowers with below a cross consisting of five conical mounts. The top and bottom set with table-cut diamonds

[1]

With two right hands holding each other. The shank with a string of hair, presumably of an elephant.

[1]

Set with seven table cut diamonds decreasing in size from the centre. Marked with presumable 18th century French city hallmark

[1]

originating from a German noble family. Set with a square cut emerald (approx. 5,5 x 5,5 mm). The shoulders decorated with curls

[1]

With a decoration of flowers. With city hallmark for Amsterdam, maker's mark Christoffel Siedenburg and dateletter H for 1767.

[1]

Set with a rectangular faceted blue sapphire. The top and shoulders with black enamel. A comparable ring, but set with a diamond is found in Waddinxveen (PAN-0011438) and is mentioned in "Jewellery first", master thesis by Isabelle Vogel (https://studiovogel.nl/the-dutch-jewellery-project/catalogue/rings-catalogue/) ring number 32

[1]

sitting on a naturalistic designed branch with rose-cut diamond petals. It's body set with one large drop-shaped rose-cut diamond (approx. 11,2 x 7,0 mm) and two smaller ones (approx. 3,4 x 2,3 mm). It's head set with a cabochon cut turquoise and eyes of garnet.

[1]

Originally presumably part of a head ornament (voorhoofdsnaald). Designed as a branch with flowers, held together by a bow. The largest stones measuring approx. 5,5 x 4,6 mm and ø 5 mm. Maker's mark G.J. Huissen, Amsterdam, 1846-1880. The pin with maker's mark J. Th. van der Meulen, Den Haag, 1923-1977. In a box of Math. L. Leih, Amsterdam

[2]

Composed of oval faceted light purple amethysts in open mounts, decreasing in size from the centre (approx. 12 x 14 - 6 x 8 mm), with flower shaped links in between

[1]

With a flower in the centre. Set with rose-cut diamonds in open mount. the centre stone, an old brilliant cut diamond of approx. 0.20 ct. The brooching detachable. With two open bails to wear it as a pendant.

[1]

With sepia drawing of a lady and a putto holding a medaillon with the text 'Une seul vie suffit', one life is enough, in an entourage of small natural pearl beads

[1]

The locket in the shape of an envelope, opening with two lids, both decorated with a flower engraving, showing a piece of blond braided hair below glass. The shank with a braided pattern, the shoulders with a decoration of curls

[1]

The body in the shape of a boat (navicella means little boat or galley) with an urn on top, decorated with colourful enameled flowers, the bottom with three dangling bars terminating in an emerald bead

[2]

The shank in the shape of the snake's body completely decorated with snake scale and originally completely enameled, ending in a large rounded head with green enamel, set with a drop shaped cabochon cut turquoise

[1]

Set with rose-cut diamonds, the centre stone approx. ø 5 mm

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Depicting a pansy with the text 'à moi' (mine), in an entourage of alternating rubies and pearls in closed back mounting

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depicting a cross, with a gold and silver inlay of leaf motifs and dots. In it's original box

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Composed of a rosette and drop with flower shaped ornament in between. In the open drop, a flower ornament dangles freely. The earrings set with small rose-cut diamonds

[2]

In the shape of a branch with flower in the centre, set with rose-cut diamonds in open mounts

[1]

The centre set with a pearl of presumable natural origin (diam. approx. 4,5 mm) , with a faceted ruby on both sides, all set in a flower shaped mounting against a vivid blue background.

[1]

Of gilded metal with a decoration curls. Set with faceted red coral and small coral beads

[1]

The front set with cabochon cut lapis lazuli, the back spelled ROMA. The front and back decorated with filigree and granulation, the top and bottom with spheres

[1]

The front set with a coral cameo depicting a lady wearing a wreath in her hair and richly decorated with scrolls and leaf motifs. On a black velvet ribbon

[1]

Composed of eleven rectangular ornaments, each set with an oval faceted pink topaz on foil and decorated with leaves and flowers in white and black enamel, with tassel shaped ornaments in between, also decorated with white and black enamel. With gem report of the Netherlands gemmological laboratory with number E13827

1

The heart set with a pink faceted gemstone in closed back mounting, presumably glass. The wings set with rose-cut diamonds. The back with a bail for a pendant. Maker's mark MT with a barrel in between.

[1]

Depicting the head of a winged Cupid with a halo in the background. The back signed Wiese. Jules Wièse (1819–1890) was one of the finest French jewellers and goldsmiths of the 19th century. Born in Berlin, he trained under court goldsmith Johann Georg Hossauer before moving to Paris, where he worked for J.-V. Morel and Froment-Meurice. In 1845, he established his own workshop and became renowned for his highly sculptural Neo-Renaissance and Gothic jewellery, earning prestigious medals in Paris and London. His work is celebrated for its exceptional craftsmanship, historical inspiration and artistic originality.

[1]

depicting a harvest scene, made of emaille de peinture. In an openwork bezel mount, the back with a locket with glass lid.

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Depicting two children laying in a tree, made of emaille de peinture. The bezel mount decorated with scrolls.

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Depicting two dolphins with heads against each other. In a box of 'Van Kempen & Driessen, Den Haag'

[2]

With shell cameo's depicting a classical man and women. The repoussé mounting with a decoration of leaves

[2]

With a miniature portrait of a young gentleman, painted on mother of pearl. The back engraved 'Memento mori! Marianna Oct: 3 1860. 'The bezel mount decorated with engraved leafs and curls

[1]

Composed of three strands of faceted barrel shaped beads (ø 4,5 - 5 mm) on a box clasp with a micro mosaic bird on a branch against a black background, in an entourage of faceted coral beads

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Both set with Bohemian garnet. One in the shape of an ear of wheat with rosette the other oval with a bow on top with a bail for a pendant at the back

[2]

With an elongated top of twisted wire ending in a Wedgwood jasperware cameo in purple, blue and white depicting cupids. One back signed Wedgwood

[2]

With two rectangular ornaments, set with goldstone, the clasp also with a cameo, connected by four chains of fantasy links of rope wire

[1]

Composed of a drop with a flower in the centre. Set with seed pearls

[1]

Set with an oval cabochon cut coral in the centre (approx. 8 x 6,7 mm) in an entourage of small rose-cut diamonds

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The top in the shape of a clover, set with four coral beads and a small rose-cut diamond in it's centre. At the bottom dangles a bouton shaped coral, ø 12-12,5 mm

[2]

Set with an agate cameo with a silhouet of a lady, in a scalloped openwork mounting, set with split pearls. In a box of 'J. Lens, Anvers'

[2]

The pheasant with an enameled head and tail, it's wing set with three small brilliant cut diamonds.

[1]

depicting a small fly with sapphire and pearl body and wings set with small rose-cut diamonds.

[1]

Depicting the Virgin Mary against a background of plique a jour enamel. Signed E. Dropsy. Jean-Baptiste Émile Dropsy (1848–1923) was a renowned French medallist and engraver who broke away from his family’s sculptural tradition to pursue metalwork. Trained in Paris, he became known for his expressive religious and nature-inspired medals, combining broad, fluid modelling with an elegant Art Nouveau sensibility.

[1]

In a flower-shaped chaton mounting decorated with black enameled arches

[2]

Depicting a dove, it's body and wing pavé set with single cut diamonds weighing approx. 0.23 ct., it's eye set with a faceted synthetic ruby. In a box of 'Juwelier Schaap, Den Haag'

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